She wrote stories depicting women of strength, especially those with color. One does not need an encyclopedia to trace this fact. It is a clear and audible message in almost all her stories. “Everyday Use” and “Strong Horse Tea” are…
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“Strong Horse Tea” is a story revolving around Rannie Toomer, a single black mother of a baby boy named Snooks. She struggles to keep herself composed in the most difficult of situations which primarily involves the health of her son who is extremely ill but, no doctor would attend to his needs. She patiently waits for any kind of help from the doctors and refuses all sorts of home remedies or magic to heal her son because she does not believe in such notions proposed by her neighbor. She ignores the fact that the doctors are not willing to give her an appointment because of her color and, this represents her strength of self-worthiness and her capability of rising above the mundane. Hence, when Sarah, an old black woman, attempts to convince Rannie of using home remedies to heal her son, she blatantly declines her offer. Rannie remains fearless and independent with regard to her decision for seeking help from the modern facilities in the midst of the traditional methods her black community still revered. To split away from her own tradition was a courageous move she taken by Rannie.
In the story “Everyday Use”, the situation is more or less the same but, what Mama’s eldest child Dee undergoes is a rebellious identity crisis. She is sent away from home for educational purposes but she realizes how little she knows about her own heritage. She renames herself Wangero which is an African name. She believes in a new optimistic, Americanized world for the blacks, which is not her fault. She was sent away from home and indirectly away from her own tradition. This, however, was not Mama’s intention. She sent her away so that she could receive the best education and also because Mama feared that she and Maggie would not be able to tolerate each other. When she arrives home on vacation she accompanies a boyfriend Hakim who
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(Critical Analysis of Two Short Stories Walkers Everyday Use and Strong Essay)
“Critical Analysis of Two Short Stories Walkers Everyday Use and Strong Essay”, n.d. https://studentshare.org/english/1590963-critical-analysis-of-two-short-stories-walkers-everyday-use-and-strong-horse-tea.
Theme of the story: The main idea of the story defines the line that exists between fantasy and reality. Fantasies are stunning, beautiful and pure while realities are harsh, cruel and brutal. It is portrayed through two main characters Connie and Arnold Friend.
The author states that both the stories run on the same theme of love and relationship. While “Why don’t you dance” revolves mainly around the problems linked with married life, “Man and Wife” focuses on the relationship of a girl with her parents, friends, and husband. Both the stories are indeed masterpieces.
While Tan explores how the pressure of high expectation of a mother on her daughter forces the latter to rebel, Walker on the other hand shows the contrast between two daughters in the eyes of a mother.
The elder daughter, Dee, is coming home to visit from the a large metropolitan area; the younger daughter has remained with her mother, partly because the girl was horribly burned as a young child when the previous house had burned. While the mother loves both children, she exhibit's a resentment to her elder daughter's worldliness and displays a slight favoritism to her younger daughter, Maggie.
Both writers have used this skill to great effect in their stories.
In Everyday Use, Walker presents the reader with a study of heritage (White, 2001), and how it can be interpreted and contextualized by the value we place on objects and the uses we put them to.
daughters was an educated and independent minded individual whilst the other was a fairly unattractive rural dweller who had lived with the narrator all her life. This paper examines the literary components of the story and discusses the plot, characters and context within
The setting is the 1960s, when the Civil Rights Movement is at its peak. Dee sees herself as a symbol of modernity and the social movement, so she changes her name to an African one, Wangero. Conflict arises when Dee aims to take the family’s quilts.