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Both the works tend to depict the way civilization finds itself alienated in the wilderness.
In broad terms, the main similarity between the works is seen in the way the so-called civilized people have got an uncivilized primitive in them that comes out when they reach the wilderness even for a short period of time. For example, in the Heart of Darkness, Marlow first sees the shores of Africa with a sense of fear and dislike. As Marlow travels into the jungle, he develops the feeling that he was getting savage. Thus, as Kesselring states, one gets the idea that the man still possesses the primordial urge to be the same barbaric humans of the jungle; for example, Marlow describes a Kurtz who is free from any restraints, and who unleashes his primordial urge to kill and to enjoy total freedom. There Marlow sees a large number of heads displayed on posts that shows the kind of primitive life Kurtz lived (24-25).
Here, it is worth trying to identify the reason behind the madness of both the Kurtz, and there comes the startling realization that it is the result of their inability to come into terms with the native culture and lifestyle. For example, in the movie, one can see a Kurtz telling Willard about the Special Forces going into the village inoculating the children for polio, followed by the visit of communists who cut children’s inoculated hands off. This basic and barbaric wilderness makes Kurtz insane, and soon, he becomes a savage himself.
In total, one can say that in both the cases, there is the tendency to show that the European-African and American-Vietnam conflicts symbolize the conflict between the civilized and the savage. In both the cases, there is the realization that civilization is the result of the complex web of rules, regulations and codes of conduct that the modern societies have developed. In addition is the acceptance that there is a savage in every civilized human being. Thirdly, in
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Shipments had stopped and they wanted to know why. As he struggles up the river in a broken down steamship, Marlow starts to gain a better appreciation for the realities of imperialism as compared to what it was thought to be back in London. To discuss these deep ideas, he tells the other sailors about them in terms of dark and light symbolizing 'civilized' as opposed to 'primitive' societies.
Kurtz's alleged madness stemmed down from a rejection of the war, his rejection of the military itself, and a great deal of expressed confusion over morality in an immoral world, influencing even Dennis Hopper who is a brilliant reporter, becoming who becomes enamored with him.
The novel describes the wilderness in Congo, the cruel treatment of the African natives by the Europeans and in turn showcases the act of evil committed by the human beings. The novel is written in the narrative form through the words of the central character of the story, Charles Marlow.
There has been an age old debate pertaining to the fact that reading a book is always better than watching a film and vice verse. Linda Costanzo Cahir in her book entitled, “Literature Into Film: Theory and Practical Approaches” argues that, “A movie based on a literary source is often seen as a secondary work and, consequently, of secondary value”
Marlow initially sees Kurtz as a mad man. He realizes that when in the presence of boundless temptations, any man could go a little mad. He sees the very extremes of madness in Kurtz, the man who couldn't hold on to his soul when a chance for its corruption presented itself.
Benjamin is the main character, and he is suffering from posttraumatic experience, which affects him to the extent of divorcing his wife. Well organization coupled with employing of diverse styles in this film has immensely
The 19th and 20th century witnessed the forcible imposition of far more powerful foreign governments control over weaker countries. Imperialism had effects on both the victims and the perpetrators. In the contexts of both the film and the novel, the
Conversely, Conrad's literal piece depicts his main character Charles Marlow's journey through Congo's treacherous terrain and encounter with barbaric natives while heading towards the central station where the infamous Mr Kurtz was stationed. Coppola retains the name Kurtz, as used by Conrad to refer to his novel’s main antagonist character.
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