The role of women in Shakespearean plays has been frenetically researched by literary critics. It is generally assumed that there is male dominance in every play which effectively leads to marginalization of female characters. …
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Leaving vulnerable roles for women and giving them no personal agency are the kinds of things for which Shakespeare has attracted much criticism over the years. Hamlet is the name of one such Shakespearean tragedy which clearly is a critically acclaimed success, but keeping in pattern with its predecessors, female characters in this play also are inferior to their male counterparts. Strangely enough, women are often introduced and portrayed as antagonists to the leading hero of the play who have either done something wrong to infuriate the male hero or are just simply misinterpreted and treated negatively. In Hamlet too, both leading female characters, Gertrude and Opehlia, are portrayed in a negative light. Both are singularly vulnerable compared to other main male characters and have no personal agency. It is suggested that Ophelia contributes to Hamlet’s anguish by betraying him on her father’s insistence, but actually Hamlet proves to be the source of her pain. The hotheaded aggressive hero of the tragedy causes Ophelia more emotional distress than she could ever cause to him and also contributes to her tragic demise. The purpose of this essay is to augment this argument that Hamlet has very negative attitudes towards women because he perceives them in a markedly flawed manner. The following discussion will explore and prove this argument in special reference to one female character, Ophelia. Prince Hamlet’s anger is made emphatic by the succession of Claudius to the throne whom he believes to be the murderer of his real father. To cap the matters, Gertrude also marries Claudius. However, irony is that she is not aware of the fact that the man she is marrying is the murderer of her husband. But, Hamlet still blames her vehemently believing he is betrayed by his mother. His personal ideology and belief about women is quite degrading and insulting, but he does not acknowledge this great weakness in his personality. According to Freud’s psychoanalytic perspective on personality, myriad experiences of youth or early family life have huge repercussions and play a momentous role in structuring a road-map for the future. Freud’s biological mother was quite beautiful and when once, he inadvertently saw her naked, everlasting impression of attraction and love was casted on his mind. His positive impression of women and the way he acknowledges their beauty and intelligence in his work stems from that early experience (Friedman and Schustack 70). In the same way, the bitter experience Hamlet shared with his mother in the form of her agreeing to marry Claudius cultivates this everlasting belief in his heart that all women are traitorous creatures who are not to be loved, appreciated, and believed. This belief structures a roadmap for his future life too which is evident in the way he goes on to treat Ophelia, another important woman in his life. Hamlet’s rancorous relationship with his mother develops emotional deficits in him. This is because the kind of attachment he has with Gertrude as a son affects him deeply and shapes his behaviors. He clearly does not share healthy cumulative experiences with Gertrude, due to which he ends up developing a warped sense of attachment and psychological connectedness with Ophelia. Gertrude is not to be blamed here, of course, for negatively influencing her son. This is Hamlet’s innate disposition to perceive things negatively taking them for what they are not in reality. This is why his relationship with Ophelia is so affectionless. A long journey consisting of many manipulative schemes is undertaken by Hamlet to reach his objectives and seek revenge on his enemies. One of those
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The story is thrilling and it grips the reader through the end. In this paper we will do an analysis of the play and an attempt will be made to interpret Hamlet. Many attempts have been made to interpret Hamlet and many themes are identified in the play.
During the period of the creation of the play, play writers followed advice of Aristotle, which made a declaration that a drama should not make a lot of focus on a character but should concentrate on the action instead. The author focused more on Hamlet instead concentrating on the action itself.
Acoording to the paper two women characters are Ophelia and Gertrude. Gertrude is Hamlet’s mother who contributes significantly to the plot because of her marriage to King Claudius. Ophelia is romantically involved with Hamlet. Ophelia is solely included in the development of Hamlet’s role.
Shakespeare intends to portray Hamlet as a genuinely insane person. For instance, his conduct after the interview with the ghost betrays an excited state of mind that borders on insanity. Horatio becomes compelled to reprove Hamlet because of his “wild and whirling words” (Shakespeare 35).
Be but to sleep and feed A beast, no more' (Shakespeare, Hamlet's soliloquy, Act IV, Scene IV). In this part of the play one can see that Hamlet is completely obsessed by his enormous longing to pay back for his father's death, to take a role of judge and jury and to punish his uncle for the sake of justice and his personal accounts.
Thus, it becomes lucid in a character analysis of Laertes, the son of Polonius that Shakespeare has been particular in presenting this character as a foil to the protagonist, Hamlet, who is greatly different and contradictory to the former. To comprehend how Laertes acts as a foil character to Hamlet, it is important to remember that a foil is a person who makes the character of another person revealed mainly by presenting the latter as a better person by contrast.
The focus of this paper is to identify the pattern in which Hamlet talks about himself and his dilemma throughout the book. In Hamlet, the main dilemma is to be or not to be both for himself and for King Claudius who is the murderer of his father.
Ophelia falls for Hamlet, but Polonius, his father, dismisses it fearing that she will be heartbroken.
Through a ghost of his late father, Hamlet finds out that King Claudius killed his father. The ghost instructs Hamlet to
Claudius himself tries to understand him, but to no avail. Therefore, Hamlet’s complex nature may be seen to stem from a different approach to life that was not very common (Sandra 13). He is what Plato would term a thinker. This
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