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The women used their voice as power - Essay Example

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Author Tutor Course Date Introduction “The Tempest” and “Candide” avails a rich account of how controlling a woman’s sexuality can aid men to secure power. As such, the women voices are power as they aid the women to secure themselves and their pursuits (happiness and love)…
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The women used their voice as power

Download file to see previous pages... The paper pursues to comprehend the power of the female voice and sexuality as demonstrated by Miranda in “The Tempest” and Cunegonde in “Candide.” Miranda and Cunegonde have demonstrated that women should not remain quiet and submissive within the background. The two personalities mirror the mentalities of the men who court them, and to a level, create them. Miranda’s marriage to Ferdinand aids Prospero to regain his dukedom in The Tempest. Throughout both works, Cunegonde and Miranda come out as markedly florid and romanticized terms that imply the women are not what the protagonists identify them to be (Nelson 2). Voice is power filled with truth and love and can be regarded as an embodiment of the women’s strong spirit within the society. In the play, “The Tempest,” Miranda is the daughter of Prospero who falls in love with the Prince of Naples, Ferdinand. Miranda comes out as gentle and compassionate, but also passive and a heroine. Initially, Miranda displays meek and emotional nature; however, in the play final scene, Miranda she surprisingly comes out as forthright and powerful to the extent of complicating the reader’s constructions of her as naive. In The Tempest, a father isolates his daughter with the aim of protecting her from the terrible realities the world. Miranda enjoys all the privileges of her father’s reign over the island. ...
Miranda’s relationship with a shipwrecked prince contributes to the reconciliation of the exiled Duke with the Milanese court. The romantic aspect of the play highlighted by the inclusion of most of the dialogue between Miranda and Ferdinand within the play-text, especially in Act 3. Miranda delivers a powerful speech to Ferdinand in Act III, Scene I in which she declares her undying love for him. Miranda uses this speech to propose marriage, but also practically insist on it. The demonstrates the power of her voice in which Miranda appears to break out of her predictable self as she has established under the influence of her father’s magic. The first instance features in Act I, scene 2, in which Miranda appears to arrive to a point at which she can no longer contain what she thinks. This does not arise from the fact that her desires are getting better, but rather Miranda realizes the requisite of expressing her desires. As a result, the naive girl who could hardly hold still long enough to listen to her father’s a long story in Act I, Scene 2 is replaced by an assertive, more mature woman at this moment. In the powerful speech Miranda proclaims her sexual independence by employing a metaphor that implies both a pregnancy and an erection, which appears to transform her all at once from a girl into a woman. Miranda in “The Tempest” uses her voice to carry the plot forward, whereby she pledges to be with Ferdinand regardless of the cost to herself (Shakespeare, Jonathan, and Eric 7). The power of Miranda’s voice features in Act II, Scene I, in which Miranda makes a marriage proposal to Ferdinand can be regarded Miranda’s second surprising moment. Miranda’s proposal follows her resolve to remember her ...Download file to see next pagesRead More
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