Complete Literary Analysis of the Poem “Because I Could Not Stop for Death” by Emily Dickinson In the poem ‘Because I Could Not Stop for Death’, the capitalized subject ‘Death’ appears personified as a gentleman caller who takes the speaker as a genuine lover does to the ‘Carriage’ which symbolizes a matrimonial vehicle…
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Dickinson uses an almost soothing tone along these lines to signify how well the speaker acknowledges the coming and the full presence of ‘Death’ which, in this case, is depicted as no longer an element of fright or disturbing apprehension. So instead of being terrified as of a sudden occurrence, she welcomes ‘Death’ to the point of admiration and respect through the last three lines of the second stanza. ‘Gazing Grain’ and ‘Setting Sun’ are terms used to indicate the inevitable stages of human life which the speaker experiences herself from early childhood until old age and the allegory of the ‘House’ described by the speaker as ‘A Swelling of the Ground’ is in figurative reference to the ‘grave’ implying however a sense of familiarity. By considering ‘House’ to mean ‘grave’, the poet likely shifts or radiates the positive significance of ‘home’ and its comfort and sign of life than a burial place. Other than ground swelling, she does not even make mention of decay or any term close to pertain to loss or deterioration which the literal ‘Death’ characterizes since the speaker plans to conclude her union with ‘Death’ as progressive with ‘Tis centuries’ and the phrase ‘toward Eternity’. ...
audience to understand that instead of a tragedy, it is something familiar or someone who merely takes another by the hand for a light travel, as though ‘death’ is that course of nature that any person must readily acknowledge as it only intends to accompany one in a long journey to a dimension not quite far from the mundane encounters of everyday. By way of the attitude, sound, and structure that constitute the substance of the literary piece, a reader may find oneself dissolving a former perspective of death to entertain a favorable thought that it is not actually dreadful. I suppose Dickinson would have at the time anticipated such response of ‘change in view of death’ because she should know herself what ‘death’ is in every man’s common knowledge and perception. It is as if the creation of the work “Because I Could Not Stop for Death” is a challenge for a reading individual to observe his or her faith in the beauty of life through an insight of death as well as the degree of persuasion one may yield to in attempting to see death in a whole new enlightening aspect. ‘Because I Could Not Stop for Death’ bears much semblance to the theme established in the poem “Tell all the Truth but tell it slant” where Dickinson necessitates the need for capitalization in order to illustrate the essence of the manner by which truth ought to be communicated. One may recognize her intention of doing this to specifically lead the reader to the remarkable aspect of stressing paired terms that should register the key ideas to understanding the concept of ‘Truth’. Like the treatment given to the understanding of ‘death’, if the ‘Truth’ be ever told, it must be gradually carried out so as not to severely overwhelm the seeker or whoever obtains its
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