Metropolis by Giorgio Moroder - Essay Example

With this on hand, the paper will dwell on the view of the movie as women are the source to evil, and how the role of women changed as the movie unfolds. Metropolis The movie, Metropolis, released in 1927, is based on the novel by Thea von Harbou. The movie is a silent film, which was directed by Fritz Lang, who is a German filmmaker. Metropolis was a futuristic city with airplanes, flyovers, and high rise buildings used and occupied by the higher class. This population lives with all the amenities to used and enjoy, such as sports, libraries, cinemas, and the like.

On the contrary, beneath the highly urbanized city are the workers who control the functions of the machines used in Metropolis. The workers strive to survive the daily routine of hard work, darkness, and even death below the lively and well-developed city. The movie evolves on the resistance of the workers towards the master of Metropolis, Joh Fredersen. Along with this, the story escalates to the development of the love story between Freder, the son of Joh Fredersen, and Maria, a daughter of a worker who aims for freedom and equality.

Freder, as the son of the master of Metropolis, has the freedom to enjoy all the goodness and luxury in life. However, one day, Maria went to the Eternal Garden and brought the children of the workers there, where Freder was also present. Freder, intrigued of the passion he saw in Maria, followed them to the underground city where he saw the laborers suffer and die. The incident that he witnessed rose his concern for the workers. For this reason, he decided to take the place of a worker and was also invited to take part in the meeting that Maria organized to bring hope to the workers.

In the meeting, Maria spoke of hope, and that one day a savior with the hand and the heart will come to unite their cities. At the same time, Joh Fredersen had witnessed the power that Maria had over the workers, which made him fear her. For this reason, he assigned Rotwang, a scientist, to create a robot in the likeness of Maria, and to use the robot to gain the loyalty of the workers. However, the robot Maria became out of control and led the workers to destroy the machines underground, not knowing that the machines were built to save their city from flood.

Chaos came to being; however, Maria and Freder were able to save the children of the workers, and Freder became the hand and the heart that united the workers and his father (DiMare 346-348). The Portrayal of Women in Metropolis Metropolis is a science fiction film, which has the female persona represented by the cyborg Maria or the robot Maria and the human Maria. The cyborg Maria is linked with the “social chaos, and revolution suggests that these are not just economic problems: they are also sexual problems” (Brockmann 87).

It is also important to note that the cyborg Maria was not created to do the typical activities a robot is expected to do. She was created and given the likeness of the human Maria, who poses a threat as reality, and technology unites in her (Ascott 311). Furthermore, the female cyborg, in this case Maria, is a character in the film that is mostly defined as a problematic individual torn between her ability to reproduce and her robotic ability. Most of the time, the character of the female cyborg portrays two roles, which is a hero or a villain.

In this case, the cyborg Maria is described by Claudia Springer as an