Short Story Analysis – The Lone Ranger and Tonto Fistfight in Heaven - Prajakta Kanegaonkar Introduction: It is very rare that we come across gifted writers like Sherman Alexie who interweaves the short stories to make it a one big story in his short story collection, The Lone Ranger and Tonto Fistfight in Heaven…
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However Sherman Alexie doesn’t get satirical at all. He in his simple tones and simple style puts across the reader as what happened in the lives of his people. His metaphors although strong don’t overwhelm the reader. These metaphors come from his background, the culture he has been brought up in and the traditions and stories passed on from one generation to another. The thesis for analysis for this essay is the style of Sherman Alexie’s writing style which is literal and metaphorical, human and natural with a mix of reality and fantasy. The powerful use of metaphors and subtle hint towards magical realism gives a very special effect to the art of Sherman Alexie’s story telling. From the perspective of literature, they present many stories under one title. Some stories are kept in the background but their effects are seen on the characters and stories on the foreground, while some stories may go hand in hand in one story presented. Although the reader is reading many stories in one story, the main thread is not lost, which is what makes Sherman Alexie’s writing style unique and captivating. ...
The party that is going on in the house is a vain attempt to fill the house with colours and laughter. In the same story Victor also states about the abject poverty during the festival time and his father being penniless to buy gifts for the family and the friends. The scene when Victor sees his father pulling out his wallet continuously, examining it as if there is miraculously going to be some money inside and keeping it back in the pocket touches every reader. It gives a very powerful picture in a very simple language. During other hurricanes broadcast on the news, Victor had seen crazy people tie themselves to trees on the beach. Those people wanted to feel the force of the hurricane first hand, wanted it to be like an amusement ride, but the thin ropes were broken and the people were broken. Sometimes the trees themselves were pulled from the ground and both the trees and the people tied to the trees were carried away. (Every Little Hurricane) Victor sees people hanging on, thinking that the hurricane will pass. He also talks about the people who were not party to the war, maybe by their own will or by situation, but they were affected alike by the war. He talks about people who tie themselves to trees to watch the hurricane, to feel it. Not all people participating in the action had a high end motive like sacrifice for the people and all, but they did participate in what was going on. Pulling out of trees indicates that whatever we stick to as a solid ground or possibly fundamental also gets shaken from the roots. The events and occurrences around you are so strong that they uproot you and change your direction altogether. One big hurricane in the story gives way to other little
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If there is some sort of power imbalance between the two, the more dominant group can define the other in a negative manner. They can force a group to be the Other, outside and different. In a sense this is what has happened to Native American people over the centuries in North America.
Literary works often include characters that are in search of their identity. We find them chasing their identity, personal identity, racial identity and other identity. Characters strive for locating their identity. Sherman Alexie’s ‘The Lone Ranger and Tonto Fistfight in Heaven’, Tim O'Brien’s ‘The Things They Carried’, Tillie Olsen’s ‘I stand Here Ironing’, and Junot Diaz’s ‘How to date, a Browngirl, Blackgirl, Whitegirl, or Halfie’ are examples of works where we see quest for identity.
Alexie in the short story tries to trace the traditional life of the modern Indians. He depicts them as individuals with a double identity, who are not able to identify with their traditions or how to react to the various traditions. In both genres, the characters are not able to differentiate between what is more important and that which is less important.
Summary: Alexie's works are celebrated for their detailed descriptions of the psychology and environment of the reservation; the humor and wit that are displayed in the face of the intense poverty and the ravages of alcohol abuse that are part of reservation life; and their broad, universal messages of hope and perseverance.
This story mainly revolves around the issues of assimilation, cultural identity and conflicts. It is written in first person narration and the names of other characters have not been mentioned. This is the first example of cultural conflict and lack of identity in
Taking a closer view at the movie Smoke signals, there is a lot of shifting from the theme especially in terms of character and the environment of action which is not in any way different from the “McLintock of Douglas in
Sherman Alexie grew up in Spokane Indian Reservation, and presently he stays in Seattle, Washington. His best known literary work is The Lone Ranger and Tonto Fistfight in Heaven (1993). Also, his best film work is the Smoke Signals (1998).