The Film My Antonia - Essay Example

? My Antonia Film Review My Antonia, a film produced by Victoria Riskin and David Rintels, was released in 1995. It stars Neil Patrick Harris in the lead role. The cinematography and music are handled by Robert Primes and Lori Slomka respectively. Based on a classic literary novel of the same name by Willa Cather, the screenplay is adapted by Victoria Riskin. Directed by Joseph Sargent, the movie stars Jason Robards (Josiah Burden), Eva Marie Saint (Emmaline Burden) and Neil Patrick Harris (Jimmy Burden) in lead character roles. The script of the film manages to retain most key aspects of the original written work. Set in the late nineteenth century Nebraska, the story revolves around the travails of orphan Jimmy Burden, who moves into his grandparents’ (played by Jason Robards and Eva Marie Saint) farm that is located nearby Black Hawk, Nebraska. Young Jimmy is immediately drawn to 15-year neighbor Antonia Shimerda (played by Elina Lowensohn) and they become close friends. Conflict arises when Antonia’s father wants Jimmy to teach her English, whereas Jimmy’s grandfather is concerned about his grandson’s own education. But soon the Shimerda family meets a tragedy and contact with the Burdens is severed as the latter move into town. As the ageing grandparents pool their resources into making their grandson a graduate, Antonia renews her contact with Jimmy as she also now lives in town. The subsequent narrative is about the evolution and endurance of their friendship, which lasts for many years, even as Jimmy takes further strides in his academic and professional life. The relationship between Jimmy and Antonia has a romantic basis to it, but neither of them expresses it in overt ways. The intrusion of the beautiful Lena also disrupts the harmony of their relationship. As Jimmy takes greater interest in Lena, he drifts further apart from Antonia. This element of the relationship adds suspense and intrigue to the narrative and keeps audience interest alive throughout. The adaptation to film comes off well, although some of the smaller characters in the novel do not find space in the shorter film format. Yet, the essence of the novel is fully captured through the strong impression that the character of Antonia makes on the audience. Even as the film moves toward the final denouement, the benevolence and kindness of Antonia lingers on the mind of the discerning viewer, standing as a testament to the film’s overall success. For example, even as she realizes that Jimmy is lost to her, Antonia does not cry foul and neglect her duties toward her family. She carries on bravely and reconstructs her life in a manner fitting the circumstances. When Jimmy eventually meets Antonia toward the end of the film, he finds her living a happy married with children. The film ends upon this note of implicit regard and goodwill for each other. As for the performance given by lead actors, excepting for Elina Lowensohn's stand-out central performance, none of the other actors evince much energy, especially Neil Patrick Harris in the lead role. Even accommodating for the fact that Jimmy Burden is a reserved character in the film, he nowhere nearly capture the emotional turmoil that Cather portrayed so eloquently. One of the larger themes covered by the movie is the disparate treatment meted out to immigrant communities. This is most evident in the ordeals of the Shimerda family in assimilating with the local community in Black Hawk, Nebraska. Willa Cather was a writer of great cultural and social sensitivity. And the film My Antonio successfully captures the thrust and emphasis of her presentation of American social problems. For example, reviewer Tom Wiener correctly notes in his review article that “The strongest portrayal in the film is the plight of European immigrants and in particular the young women. As Antonia plaintively says, "Girls like me don't get chances," and although she almost blows what she thinks is her best shot, she does land on her feet--no thanks to the self-absorbed Jimmy. A longer film might have given more screen time to the liberated character of Lena Lingard, Antonia's Swedish friend and Jimmy's first real lover, to enhance this point. Victoria Riskin's script is adequate, but it's forced at times to resort to voiceover narration that spells out what adroitly composed dialogue and more forceful direction might have dramatized.” (Tom Wiener, Rovi) The director Joseph Sargent has to be given a credit for pulling off a fine balancing act. If any faults are to be found, they lay in the technical aspects such as cinematography and background score. Apart from this, only some minor elements of the novel could not properly be translated into the film version, which is a reflection of the low budget that went into production. Moreover, considering that the film was intended for a television audience, the parameters of critical assessment are slightly different for this film. This is one reason why many scenes of intimacy were either cut short or entirely cut-out from the film, making it easy to gain a PG viewer rating and as a result a broader reach. Work Cited: Tom Wiener, Rovi , My Antonia : New York Times Review, New York Times, retrieved from < http://movies.nytimes.com/movie/152181/My-Antonia/overview> on 25th june, 2011 Missing (1982) : Film Review Missing is a classic American Drama film, released in the year 1982. The film is directed by Costa Gavras and it stars Jack Lemmon, Sissy Spacek and Melanie Mayron in lead roles, ably supported by John Shea and Charles Cioffi. The film is produced by Edward Lewis and Mildred Lewis; its script is handled by Donald Stewart and Costa Gavras. The music (which received wide appreciation), was composed by innovative Greek composer Vangelis. Distributed by Universal Pictures, the film runs to two hours. The script is based on the true story of an American scribe Charles Horman, whose mysterious disappearance in the wake of the Chilean coup of 1973 sets up the crux of the narrative. In this US supported coup, incumbent President Salvador Allende was overthrown by Right-wing forces and the military. At the time of its release, the film attracted controversy due to its honest handling of political realities. Although Chile was never directly referred to in the film, the mention of major cities like Vina del Mar and Santiago surely gives away the identity of the country. Since it portrayed the United States of America in a negative cast, it met with stringent criticism in the Western press. Since the film is an adaptation of a real life story, it contains elements of both drama and documentary genres. Barring the controversies and lawsuits that it attracted, the film is a successful product overall. Director Costa Gavras’s chief intention in the film is not so much to make political statements as it is to convey the human drama surrounding the disappearance of journalist Charles Horman. The script closely adheres to the factual details presented in the original book verstion of the name, ‘The Execution of Charles Horman: An American Sacrifice’ first published in 1978. There are hints left by the director that the indifference of the American government in taking swift search and rescue operation had perhaps caused his ultimate demise. Such an assessment certainly did not go down well with officials in Washington D.C., it triggered a debate in media outlets across the country. The film also shows the nature of major bureaucracies and how they can frustrate and disappoint legitimate concerns of citizens. The father and mother of the missing journalist, played by Jack Lemmon and Sissy Spacek respectively, deliver a stand out performance in depicting their anxieties and apprehensions in the wake of their son’s sudden disappearance. It was Beth Horman, who first makes a vain attempt by contacting the American consulate in the hope of locating her son’s whereabouts. Later, Charles travels all the way to New York to persuade the authorities to pursue their son’s case. In the end, it turns out that Beth’s sceptical attitude with authorities and government institutions is closer to truth than that of Charles’. The latter, for example was shown to be naive in trusting official utterances and promises. Their unsuccessful search to locate and rescue their son makes the story a tragedy. But credit has to be given to director Gavras in not stretching a genuine tragedy into a melodrama. The film also implicitly exposes the powerlessness of individual citizens in a population in dealing with major governmental institutions. Individuals confronting personal losses easily grow disgruntled with their own governments. And the United States is shown to be no exception to this rule, as both Beth and Charles find it near impossible to get their requests heeded. The fact that Charles Horman was ‘executed’ Chilean authorities with the complicity of American diplomats validates citizens’ grievances against governments. As movie reviewer Vincent Canby notes in his article for the New York Times, “It is the belief of Mr. Costa-Gavras, as well as of Thomas Hauser, the lawyer who wrote the book on which the film is based, that young Mr. Horman was executed by Chilean authorities, probably with the tacit approval of some United States representatives on the scene, because he had knowledge of United States involvement in the military coup that had overthrown the Marxist government of Dr. Salvador Allende Gossens, the Chilean President” (Canby, 1982) It is a genuine reflection of the merit of the film that it was nominated under several categories in the year’s Academy Awards. It rightly won the award for best Writing Adapted Screenplay and richly deserved nominations in Best Actor (Jack Lemmon), Best Actress (Sissy Spacek) and Best Picture categories. More importantly, it on the Golden Palm award in Cannes Film Festival of the same year. The other technical aspects of the film, such as cinematography or editing are nearly not as perfect. But the strong script line and emphasis on right areas compensate for these small shortcomings. Works Cited: Movie Review, Missing (1982), NYT Critics' Pick, 'MISSING' BY COSTA-GAVRAS’ By VINCENT CANBY, Published: February 12, 1982, retrieved from < http://movies.nytimes.com/movie/review?res=9507E7D7123BF931A25751C0A964948260> on 25th June, 2011 Missing (1982), A review by Damian Cannon., Copyright © Movie Reviews UK 1997, retrieved from on 25th June, 2011 Read More