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With some recognition, AAVE (aka Black English) merely amounts to a version of standard English originating in the south from which the black tradition with words is deeply rooted. Paying adequate reverence to the AAVE, Dillard creates an approach that eventually persuades a book’s critic to examine values within a linguistic context in order that the Black English may be perceived as a dialect after ‘rule-governed’ like how analytical linguists would label it by. Being defined as a substandard code implies rejection of the Black English and the author further argues, by transitive property, that such equates rejection of “a network of cultural loyalties, group outlooks, verbal games, perceptual modes, lore, logic, structure, grammar, music -- the language habitually used to perceive record, remember, transmit, abstract, recall and relate by at least eighty percent of Black Americans.
” Through this perspective, one gradually realizes on reading how rich the textures are and rhythm of words or phrases rendered specifically in the conventional means the Black English is sufficiently expressed or given justice to. The Black English dialect is distinct in the sense that it possesses a characteristic set of rules in language structure, grammatical construction, tonal patterns, as well as wordplay or vocabulary particular to the way of life and ethnicity of the black people. By Creole Hypothesis, this evaluation is based upon the event when the West African immigrants under slavery utilized contact language form of various elements from which learning of Creole emerged among the blacks.
What Dillard observes as a ‘system of verbs’ attached to the Creole ancestry of the Black English details how the latter reflects certain attributes that are notably similar with the Plantation English of the Southern Whites. Apparently, the “Black English” makes a rare creation of placing notice not only for the readers to discern but even for the field of communication studies to realize the aesthetic and intellectual worth present in AAVE. Despite complex origins, the diversity of the Black English is by nature one that evokes soulful liberation, love and attachment to preservation of culture, sentimental journey, even music, and peculiar means of demonstrating social attitude, fad, or political struggle.
With Dillard’s writings, the facts about “Black English” are sketched to generate a picture vivid with exuberance of the once was voiceless where acquaintance with the dialect progresses to appreciation and constructive criticism of its syllable contaction, verbal regularization, and characteristic intonation. The substance of “Black English” as a book manages to stimulate a learner to understand how the English of color may be viewed as an educational tool to govern speech and writing in style which is flexibly unique in application compared to the linguistic fashion within the prevailing standards.
As an appeal to establish due acclaim and respect for the Black English, Dillard appears to have splendidly and consistently addressed chief concern
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