The White Factor in Popular Culture - Essay Example

The white factor in popular culture Understanding the popular culture in the United s requires mental versatility. Versatility should be based on understanding the composition of races in the culture. This is based on the assertion that the pop culture in the United States is comprised of a majority of white people. There is a major difference in the number of white people and non-white people in the culture. Klosterman is of the assumption pop culture is influenced significantly by the participation of white people (56). The trend has been in place for years and from the trend growth in the culture has been exceptional. For this reason, the society has embraced the composition of white people in the culture. The trend has been further influenced by the fact that all races accept this composition. All races in United States accept the positive influence of the white race in the pop culture. Moreover, non-whites tend to support the composition of white people in the pop culture more than their own. This increases the support of white people in the pop culture. However, the major issue of this trend is the effects on people. Pop culture analysts have realized the perception of the white race has changed due to their composition in the pop culture. Other races develop prejudice against white people citing that they are over protective of the pop culture and its composition. Moreover, there is limitation on the number of people from other races who may succeed in the culture (Klosterman 44). However, the main contentious issue is the determination of the impact of this trend in the society. With a majority of artists in the culture, the society tends to develop role models from white people. Moreover, considering the number of people in society glorifying the culture one may assert that the white influence in the society is significantly higher than that of any other race (Klosterman 66). The problem may be more significant in minority audiences who may not be comfortable to seek influence from white people. But, one may develop a query that may challenge this assumption. Is still positive influence from white persons in pop culture a problem to the minority audience? Moreover, how much influence from the white composition of pop culture may be perceived as bad? From these questions, the paper will develop an analysis on the effects of white population domination of the pop culture and ways that minority races may adapt to the trend. Popular culture is the creation of the society. For this reason, one may be of the assertion that its share a common perception from the society. People from all races tend to accept the participation of other cultures regardless of the cultural influence they experience. This creates a social culture that appreciates art and pop culture. From this argument, dominance of white people in the pop culture does not portray a social problem. The trend experienced in pop culture may be attributed to the white race in the culture. For this reason, the society should be appreciative of the influences in the popular culture. In addition, understand popular culture requires discipline and versatility. It is an obvious assumption that pop culture involves numerous activities that may be unpleasant to minority groups. However, this activities or content are not created voluntarily. The aspect of art is not defined or governed by racial affiliations (Klosterman 33). For this reason, the society should understand this provision and develop a free thinking mechanism to enable them to cope with the features presented in the popular culture. For instance, minority groups should appreciate the white composition of popular culture and learn from the success of the race in popular culture. However, one may point out that excessive exposure to the white race in pop culture may influence adaptation of their behavior. It is human psychology to embrace a norm they are exposed to. For this reason, the society is exposed to one particular culture from they are supposed to emulate. Minority groups may also require role models from the popular culture. This can be proven from the observation that persons from minority culture in the pop culture are glorified by audiences from their native races. Minority races have a thirst to have role models they relate to or cultures they understand. For instance, Hispanics significantly embrace Hispanics celebrities since they feel they relate to them in a cultural way. In an argument by Klosterman denying minority groups this opportunity make them lose their cultural identity (34). In addition, this trend changes their mindsets. Klosterman defines the white race way of thinking as groups thinking one easily influenced by global trends (34). These trends are emulated in the popular culture as way of life. For minority groups, like Hispanics and Indian-Americans, have limited mindsets influence in the pop culture. This has limited the mindset admired by minority groups. However, the modern century pop culture has numerous alternatives that may suit the social and cultural affiliations of the audiences. For instance, the American pop culture is comprised of all races. However, their numbers cannot match the white population. But, this menial numbers influence a lot of the audience which require representation of their races in the culture. However, options are also influenced by the white dominance. Klosterman the race issue hinders the growth of minority groups’ influence on the pop culture (76). Racism in the United States diminishes the growth of minority groups. The same trend is influential on the pop culture where prejudice on minority groups is a common vice. The issue on racism creates negative perception on the superiority of the whites in the popular culture. In an argument by Klosterman minority groups are opposed to advancements made by the white population mainly because the race tends to embrace racism and prejudice (83). The situation is similar in the pop culture where people from minority groups are not usually considered in role. In a personal opinion, this trend limits my embracement of the fact that whites have a greater impact in the pop culture that any other race. The modern society has embraced the fact that the white population dominates the pop culture. In addition, the race is well experienced and expertise in the culture. Their level of expertise is influenced by the fact that minority groups envy and copy their way of pop culture. From this assumption, minority groups have developed way in which they could cope with the white dominance in the pop culture. Coping strategies include collaborating with white to embrace cultural respective pop culture themes (Klosterman 79). For instance, the American popular culture has a majority of white people but in recent year’s collaborations with minority groups has improved the general perception of the culture (Klosterman 79). Moreover, minority groups have been enabled to penetrate the pop culture industry by collaborating with whites. From the paper, it is an obvious assumption that minority groups are unevenly represented in the popular culture. This trend is attributed to racism and their lack of expertise in the culture. The effects of the trend have been significant as the cultural mindsets of minority groups are changed. In addition, minority groups tend to have negative perceptions of whites as attributed to their pop culture dominance. However, minority groups have realized the size of the racial gap in the pop culture and have embraced coping mechanisms. Work cited Klosterman, Chuck. Sex, Drugs and Cocoa Puffs: A low culture manifesto. New York: Simon and Schuster. 2004. Print. Read More