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Of the Film Young Frankenstein - Movie Review Example

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This movie review presents Mel Brooks's film "Young Frankenstein", in which rather than telling about Victor Frankenstein, Brooks chooses to tell about his grandson, Frederick. His use of theatrical elements mimic the tricks of the trade in horror film production from the 30s-50s while using them in a way that highlights his comic appeals rather than the psychological thrills of the older films…
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Review of the Film Young Frankenstein
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Download file to see previous pages Rather than telling about Victor Frankenstein, Brooks chooses to tell about his grandson, Frederick. His use of theatrical elements mimic the tricks of the trade in horror film production from the 30s, 40s and 50s while still using them in a way that highlights his comic appeals rather than the psychological thrills of the older films. This is largely accomplished through the postmodern slant to the film in which the illusion of film is made manifest in the character’s sometimes direct and surprising address directly toward the theatre audience. To more fully understand the art of cinema as it plays with crossing and re-crossing category distinctions, it is helpful to examine Brooks’ film as it compares with the horror films of the past. This can be accomplished through a detailed summary and analysis of the film as it works with and builds upon the defining characteristics of the horror genre.
Young Frankenstein begins with Frederick Frankenstein (pronounced Fronk-en-stene and played by Gene Wilder) teaching a medical class at an unnamed American university to an amphitheater full of students. He is informed that he has inherited the family castle back in Transylvania and he becomes interested in discovering what it is he’s gained, particularly since he is about to get married to Elizabeth. Elizabeth (Madeline Kahn) is apparently a wealthy socialite as she bids good-bye to Frederick at the train station, being very particular about what parts of her he might touch. Upon his arrival in Transylvania, Frankenstein meets Igor (pronounced Eye-gore once he learns of Fronk-en-stene’s pronunciation) and Inga. Igor (Marty Feldman) is the grandson of the Igor who assisted Frankenstein’s grandfather in his creation of a monster and Inga (Teri Garr) is Frederick’s new not-quite-innocent laboratory assistant. One more character is introduced as the group arrives at the castle and Frau Blucher (Cloris Leachman), the housekeeper, appears. After discovering Victor Frankenstein’s secret lab, Frederick discovers his grandfather’s plan could work and he and Igor go off to exhume a body (Peter Boyle) for the experiment.  Igor steals a brain from a nearby lab but breaks the first one he was supposed to get.  Thinking one brain is as good as another, he takes a brain marked Abnormal. ...Download file to see next pages Read More
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