Feminist Korean Art - Essay Example

Feminist Korean Art The purpose of this discussion is to examine 3 separate pieces of Korean art which exhibit’s a feminist perspective. The first piece to be discussed is by Chun Kyeong-ja. Chun Kyeong-ja is famous for her dreamlike paintings which feature nude portrayals of women in many cases as well as detailed flowers and a wide variety of brilliant colors. One excellent example of this is a piece entitled Image. This work embodies female beauty poised with a vivid dreamlike backdrop.

The sky behind the nude women who appears to be lounging, is a murky orange indicative of twilight or dawn. Though the vivid background is alive with color and texture, the majority of the painting is made up of Kyeong-Ja’s nude woman. The woman is serene and ethereal to the tune of only existing in one’s imagination or in a dream. The next work to be discussed is by another of Korea’s key feminist artists who aided in the rise of the feminist genre of Korean art. Djin Suk Kim worked with more earth tones than Kyeong-Ja but still delivers a similar tone in her pieces.

An example of her elemental and organic trademark is a piece entitled Lover. This particular piece is centered on a dark and formless female figure who is hiding her face which gives the feeling of lack of autonomy, unlike the piece discussed earlier by Kyeong-Ja. The backdrop of Lover is characterized By what appear to be statues or idols of sorts. The detail given to these is very minimal which ads tot heir lifeless presence. Lastly, the piece entitled Self Portrait by Na Hye-seok. Seok’s portrait is haunting and melancholy.

Unlike the other two pieces discussed previously, this work is completely centered on the image of self that the artist has crafted. The backdrop is a dark and almost empty abyss while the woman is mostly whips of all earth tones. The delivery seems to intend to illustrate a deeply saddened individual.