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The Role of The 'Ethnic Crafts' and Products in Aesthetic Interchange - Essay Example

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The author of this essay describes aesthetic interchange and the role of ethnic crafts and products. This paper outlines reasons for cultural change, the influence of culture and art, the use of cultural diversity, politics of cultural identity. …
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The Role of The Ethnic Crafts and Products in Aesthetic Interchange
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Download file to see previous pages Say for instance the African Period of Picasso (between 1907-1909) when he was heavily influenced by African Sculptures that was also engendered by an interest in the present interest in Africa (French colonial exposure of Africa brought forth “exotic” news of African animals, tribes, cannibalism, and overall primitivism) gave his work a historical as well as commercial value Hence, I shall explore why and how cultural appropriation (if at all we can call it that) is actually a philistine way of assuming that ethnic craft representation to a Western audience shall always be somewhat mysterious, unknown, open to manipulation by Western thoughts and practices and is also somewhat full of “untouched” variety. These assumptions are almost always taken into account when representing ethnic art and thus represent another idea of the “white man’s burden” still on the run and notions of “Orientalism” aren’t over as yet, even in the age of Globalization. It is not so much an aesthetic interchange as much thirst for giving the art a new dimension unknown to the most western eye.
When the question of appropriation comes into the picture, the questions of artistic intentions to follow. With it comes the speculation of the vanguard of exchange – where and how it happens. Does it follow any trend or does it depend on a single artist's quest for something beyond the discipline of Western Aesthetics? Or is it just another form of responding to current socio-historical or political trends? I guess it is all of the above and more! Let us explore why and how.
Previously the influence in art forms at least before the beginning and the formation of the Imperialistic Discourse was somewhat beyond the scope of this “Self” and the “Other” demarcation. With new discovery during the Renaissance, the Islamic tin-glazed pottery and lusterware became the most dominant form of ceramics in Spain. It continued from a period of 13th Century till the very beginning of the 16th century, till the very beginning of the 16th century, while Tin-glazed ware was popularly made in Europe until the beginning of the Victorian 19th century.  ...Download file to see next pages Read More
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