Matthew Carter is the most prominent typography designer of our time who has carved a special niche for himself in the graphic design world. Carter was born in 1937 in London. He developed an interest in type by watching his father Harry go about his work as a typographer, designer of books and type historian…
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Carter visited New York four years after completing his internship at Enschede. The visit introduced him to the world of type designing, in which he soon developed intense interest. He was astounded by the positive advancement in typographic creations as evidenced in the compositions of designers like Milton Glaser, Herb Lubalin and others that contributed to the progressiveness of New York’s commercial art industry in 1960. When Carter returned to London from New York, he found that its commercial art scene lacked contemporary sans serif type. He joined forces with men such as Alan Fletcher, Bob Gill, David Collins, Colin Forbes and others to create many sans serif faces for the country’s young and inexperienced graphic design industry. One such sans serif face was made for Heathrow airport’s new terminal. Carter’s fascination with New York’s progressiveness lured him to the U.S again. He took up employment at Mergenthaler Linotype located in Brooklyn. While being intensely influenced by its director of typographic development Jackson Burke, Carter began threw his heart and soul into his work and started designing new typefaces for photocomposition. One of them was Snell Roundhand, a script face that he created in 1966 that exquisitely displayed the relative advantages of photosetting
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(Matthew Carter Essay Example | Topics and Well Written Essays - 1500 Words)
“Matthew Carter Essay Example | Topics and Well Written Essays - 1500 Words”, n.d. https://studentshare.org/biographies/1553559-matthew-carter.
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