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Alberti's S. Andrea in Mantua compared with vignola's Ges church in Rome - Research Paper Example

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Andrea and Gesu share a striking resemblance. In both pieces of art, the chapels are arranged in a transverse manner. The barrels are vaulted. This is in contrast to the normal aisles that have columns. S. Andrea façade depicted the age of renaissance, where the…
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Albertis S. Andrea in Mantua compared with vignolas Ges church in Rome
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"Alberti's S. Andrea in Mantua compared with vignola's Ges church in Rome"

Download file to see previous pages the ancient Roman architecture of using decorations and monumental pieces of work for aesthetic value while at the same time maintaining the grandeur, yet the same was not the case with Vignola (Fazio et. al., 24). Not only did Vignola suppress the transepts, he shortened the naves in a bid to clear acoustics and sightlines. This would allow for easy visibility. Additionally, during preaching, the preacher would be clearly heard.
The Gesu design was forward-looking since it was not so much exaggerated as the S. Andrea’s design. This is because the axes of the building were strongly emphasized. The elements were portrayed in three dimensions, especially on the west front. The Alberti’s façade seems to have been his routine. It could be traced to his earlier works such as the Maria Novella, only that he used the classical orders to replace geometry-based subdivisions (Ching et. al., 17). In the Gesu design, there are pilaster pairs that step from planes that project forward until on both sides of the entrance, engaged columns are used to support a pediment, which is triangular.
The triangular pediment is fixed using a segmental pediment through support of flanking pilasters. The interior designs of both works were plain. Perhaps, this is due to the fact that then not so much decoration was accorded to the church (Fazio et. al., 76). Their designs were a crucial guide to future architects and engineers and can be seen in most churches today. The St. Andrea façade was the model adopted by many Roman churches.
The distinctive features associated with the Classical Roman architecture kept changing over time. The purpose and forms of the buildings changed over time. The structures of the cities also later changed. Therefore, it can be argued that the façade of the designs provided a guide to later builders.
Both the Gesu and S. Andrea façade have a symmetrical proportionality. They have a square appearance whose proportions are according to the module. The ...Download file to see next pagesRead More
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