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x” was put up with enormous spacing with various sections as described by the purpose for which it was supposed to serve (Ching, Jarzombek, and Prakash 17). MacFarquhar explains that the city took up to fifteen years to construct (33). It is made of 800 buildings with 9000 rooms, which serve various purposes. Generally it is known to be the world’s largest palace with fine architectural knowledge applied. The Qing and Ming dynasties did exist along with the Chinese civilization as evident in the palace.
Urban planning in the Chinese construction is highly evident by the manner in which the buildings are spatially distributed. Various ethnic cultures were represented inside the palace, including the religions that existed in China. Hence, it was entirely an integration of diversities in building techniques and designs. The commencement of the construction followed an order from the Ming dynasty. There are 114 buildings in the palace of the Qing Dynasty which is a typical indicator of the last ruling dynasty in China just prior to the expansion of power to the middle of China.
The middle axis architectural design was made so as to support the emperor’s political issues (Knapp 44). The architectural techniques used in the Forbidden City gives a reflection of the global view of the Chinese architects. This is made clear by the manner in which the buildings are arranged and carried to other parts of China and beyond. Knapp explores the composition of the city including the southern inner city and the outer city situated in the south (23). There are gates which usher in the next step of progression as one gets into the city.
There is a central axis and a symmetrical design having the inner court at the rear while the outer court in the front. There is an additional landscape courtyard that originates from the layout of Yuan He City. This is purely a distinctly classified construction technique that dictated the manner of constructing of the subsequent
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