Many and varied are the views about the purpose of Art galleries and museums. Authors have posited, postulated and presented arguments in support of their diverse views on the end art galleries and museums serve…
Download file to see previous pages...
But could these arguments stand the test of critical intellectual and empirical analysis Could they be substantiated incontestably with living evidence, so that these views on the purpose of the institutions come across as a cogent piece of intellectual submission This paper will critically examine a number of arguments in support of the views, for logic of presentation, relevance of structural methodology and cogency of content.
Khalil Gibran, a Lebanese artist & poet in US, once said 'To understand the heart and mind of a person, look not at what he has already achieved, but at what he aspires to'. This statement, with its allusion to 'aspiration', offers a significant point of departure for this exposition. Aspiration is evidenced in current attempts, in current efforts towards the realisation of a purpose. Therefore, the appreciation of the purposes of art museums and galleries lies in the discovery of the aspiration of those who set them up and conscientiously maintain them.
This simple deduction will be used as a fundamental yardstick for estimating the validity of the various arguments. The arguments of the chosen authors will be represented with excerpts from their works, which capture the long and short of their arguments and submissions. These excerpts will be enlarged upon very briefly and then examined for validity.
The term 'museum' dates back to the Greek origin of the institution as the abode of the muses, a place of learning and inspiration. It is defined in the American Heritage Dictionary as: 'A building, place, or institution devoted to the acquisition, conservation, study, exhibition, and educational interpretation of objects having scientific, historical, or artistic value', (The American Heritage Dictionary of the English Language, Fourth Edition, 2000).
In their A Sense of Place, a work of advocacy, Peter Davies and Tony Knipe (1984) subscribe to an opinion embodied in this excerpt : ' Lets not each beauty everywhere be spied, When half the skill is decently to hide, He gains all points who pleasingly confounds, surprises, varies and conceals the bounds'
The advice "not to spy each beauty everywhere, 'when half the skill is decently to hide'" suggests that easily appreciated objects of artistic beauty do not hold as much attraction as those whose artistry is 'decently' hidden, that is, complex. Thus, art galleries, which generally hold attractions for frequenters, contain artistic collections whose intents and purposes need closer (not to be 'spied') examination and special explanations, for their full understanding and appreciation.
Consequently, close examination of artistic works of art for their enjoyments and appreciation, is presented by these authors as the purpose for which art galleries and museums are set up. The complicated artistry of the collections is to challenge- 'pleasingly' confound- the visitors, stimulate their imagination and increase their appreciation of beauty.
The validity of this submission is, however, yet to be seen, for no empirical evidence lies in this excerpt.
From the work of another pair of authors on the origins of museums, we find this excerpt: 'The opening of the New World and the opening up of contacts with Africa, South-East Asia and the Far East revolutionized the way which people saw the world and their own place in it' (Oliver Impey and Arthur MacGregor, Origins of Museums (1985), p.2).
Further reading of this work reveals that the stir created by the opening up of Africa, South-East Asia and the Far East to the New World gave birth to the very beginnings of museums as we know them. Interestingly, many of them were filled with
...Download file to see next pagesRead More
Particularly, the researcher will look across different studies that have been carried out in the same area that is under focus in the study. This is because the exhibition industry has seen several developments due to recent technological advances, such as online galleries and exhibitions, such as British Library (ex).
Art can be found everywhere around us, yet it has to come from within. Art is so common that at times it takes an effort to see it, yet it is also so rare and unique that, once you experience it, it lifts up the spirit and improves our lives.
The paper will explore how these two forms of memory have contributed to the spread of cultural and collective memory. In addition, the paper will examine how the ideas of cultural and collective memory have changed over time. The paper begins with an explanation of the meanings of both cultural and collective memory and proceeds to tell the differences between these two forms of memory.
Soon in 280 BC, an ancient museum which displayed relics and artifacts held sacred to the gods was established in Alexandria, Egypt by Ptolemy I Soter. Thus, the purpose of the earliest museums was religious in nature. Even the word "museum" was derived from Greek mouseion, meaning a temple dedicated to the nine Muses (Alexander 2008, p.3).
At various museums, visitors can learn how people lived and worked in early times, what makes a work of art a masterpiece, or how electricity works. Some people also consider the term museum to apply to such educational institutions as planetariums, botanical gardens, zoos, nature centers, and even libraries.1
d exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study, and enjoyment.” Museums are institutions that collect and safeguard artifacts and specimens while at the same time making them accessible and be held in trust
(“Museums” 2010) Most of these are thriving owing to the healthy cultural economy in the city. Residents and tourists alike flock to the opera, theaters, art galleries and patronize the music, literature, film, performing arts, among other
As the discussion highlights, the British Museum refuses to grant Egypt’s request to return the Egypt artifacts. The Our Lady controversy resulted in threats to the artist’s life, rallies to close the exhibit and terminating the museum management officers. Controversies can be avoided by implementing several strategies.
to be absorbed in one’s thoughts” or “a source of inspiration.” Museum typically collects objects with scientific, historical or artistic value for caring and making them accessible for public viewing. According to Museum Association (MA), museum functions as a point
1 Pages(250 words)Essay
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Let us find you another Essay on topic What are the purposes of art museums and galleries for FREE!