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Acient art image discussion - Essay Example

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She seems relaxed and in discussion with the house cleaner. The woman’s servant appears confident with her work owing to her standing posture. Seemingly, the two women have…
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Acient art image discussion
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Ancient Art Image Discussion The woman in the art lies in a bed probably in her bedroom with her house cleaner waving the heat off. She seems relaxed and in discussion with the house cleaner. The woman’s servant appears confident with her work owing to her standing posture. Seemingly, the two women have an intimate relationship. The bedroom also has artifacts of elephants hanging at the upper edges of the elegant bed. The ring on the woman’s hands also depicts artistry in the picture. In addition, the bed represents beautiful wood curving architecture.

The two women also have well nicely plaited hairstyles that also depict the degree of fine art in the ancient drawing. The art has conspicuous grey and yellow colors. The art of the colors represents artistic painting reminiscent of Egyptians’ Minoan style (Gardner and Fred 90). All the painted figures have a representation of Mediterranean cultures. The paintings have a characterization of fluidity line, small waist and vitality of character. The Minoan style depicted in the art shows emphasize on spontaneity, elasticity, and dynamic motion.

The high-contrasts patterns and the colors elaborate the freshness and elegance of the scene and its characters.Many features of civilization, such as writing and drawing, originated during the ancient Near East. Most communities were hunters and gatherers. The image, therefore, is from the ancient Near East. Art of the ancient Near East displays similarly great variety of forms and style that reflect the many individuals, kingdoms, cities and empires flourishing in the region for thousands of years.

Making of this image happened about two thousand years ago. The image depicts the culture of the ancient Near East of a number of ways. Promotion of artistic work was primarily by spiritual, religious, and religious. The image was a major form of communication. Therefore, most of the ancient Near East communities were visually literate than reading words. They could easily read the inscribed words. Two women are featured in this image. The materials used as a part of the craft of the ancient Near East were deliberately selected with gimmicks, for example, color, and hardness as integral elements.

Gold and silver were considered to have particular supernatural and apotropaic properties, as did the Lapis Lazuli and Carnelian stones. Valuable metals were referenced in legendary writing to pass on ideas and qualities connected with divinities, essentially in light of the fact that their color, sparkle, and splendor were regarded fitting for divine beings and goddesses. Stone in the ancient Near East was utilized both in the round and in making different images. A wide mixed bag of stones was accessible for the craftsperson to utilize.

Limestone and sandstone were by regional standards accessible in Mesopotamia, and gypsum alabaster, especially well suited for cutting into fine detail. Gemstones, for example, agate, carnelian, whats more, Lapis Lazuli, much popular for making little portraits, for instance, chamber seals and dots for adornments, must be foreign made from areas further to the east, for example, Afghanistan and India. The extensive cost needed to get and transport stones over extraordinary separations probably added to their glory esteem.

The stonemason had admittance to a mixed bag of instruments. Work CitedGardner, Helen and Fred, Kleiner. Gardners Art Through the Ages: The Western Perspective. Boston, MA: Wadsworth/Cengage Learning, 2014. Print.

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