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In addition, the observed physical characteristics on the frontal view and the profile views were also taken into consideration. For instance, the jaws and other features present in these different skulls.
This skull exhibits large supraorbital height index of approximately71 uv/tv. This almost matches the supraorbital size of Australopithecus africanus skull and Neanderthal skulls that are 70uv/tv and 70uv/tv respectively. An analysis on the nuchal ridge area was also taken it had a height of 39tw/tv. A comparison was then drawn with regard to the known varieties; there was closeness with the nuchal skull of Australopithecus africanus and Neanderthal that had a nuchal area of 38tw/tv and 37tw/tv respectively. A further measurement was done on the condylar position on the skull. It was found out that the condylar position index was 44xy/xz. When this was compared with known varieties of skulls; there was an exact match with the condylar index of Australopithecus africanus that was also 44xy/xz.
To ascertain the identity of this skull, a further analysis was done and the physical characteristics of the skull and different traits were observed. The canine teeth were relatively smaller and the shape of the jaw was fully parabolic. These characteristic were shared with the skull of Australopithecus africanus. In general, this skull is possibly a skull of Australopithecus africanus
The results revealed that the supraorbital height index of this skull is 66uv/tv which was relatively smaller compared to the first skull (Elbroch, 2006). Although, this exactly matches supraorbital size of Homo sapiens skull that is also 66uv/tv. Another study on the nuchal area height was also conducted and gave a height of 18tw/tv. It was observed that it was also smaller in size compared to that of the first skull but was closer to that of Australopithecus robustus. A
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This is a form of repetition that emphasizes the subject matter. The artwork that is filled with symbolisms was created in 1989 with the dimensions of 80” x 172” x 99”. Two wheels serve as boundaries on the left and right sides of the sculpture and they also serve as the foundation of the art piece, slightly angled to prevent the wheels from rolling.
The approach suggested does not initially involve any theory. Skull casts (dated or not as appropriate) are presented to the students, who must examine them closely in order to answer various questions put to them. One such question might be which skulls are human' To answer this question students must firstly make a judgement of the criteria for humanness' and secondly assess the casts against these criteria.
The essay discovers Flack's Wheel of Fortune and Invocation. Flack is an internationally recognized artist out of New York who pioneered photorealist painting. Although she approaches her work with a fascination for the surface illusion, she does so with a unique collage-style approach in works such as Wheel of Fortune and Invocation.
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The three cryptic organism includes Weedy Sea dragon, flatfishes, and
The main parts of the skull are the porion, occipital condyles, prosthion and the inion. The porion is the utmost point of the margin of the external auditory meatus. The condyles are the bony crests located at the bottom of the skull around the foramen magnum,
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