The Statue of Female in Industry in China - Movie Review Example

Download file to see previous pages The conclusion of the full text of this paper summarizes the analysis. Female movies of the 21st century do not give a true and timely manner to reflect the spirit of the era of women, thus, the role of women is still confined to the family. This implies that female image is not rich, multi-level social position and gender relations are not well addressed. In the new century, women are still burdened with heavy historical challenges that hinder innovation and progress.
The dissertation focuses on female figures in feminist films in mainland China in the 21st century. The paper breaks through the conventional methods that usually research the female figures by director, film types, or age criteria. The dissertation based on social reality analyses the feminist films springing up currently, and generalizes the female figures since the beginning of the new century, all at the same time. The dissertation peruses multiple representative females figures，analyses the multiple contexts which influenced the portrayal of the female characters and expression of female consciousness on feminist films in the new century in mainland China to explore the times, significance and characteristics reflected by these female figures. At the same time, the booming of feminist films since 2000 can be viewed as the second climax with respect to the first climax emergence between 1980 and 1995. The differences between these two climaxes of feminist films will be discussed as well as the social and economic factors behind the difference.
In Nuanxin Zhang’s movie gull, a woman appeared in the climax of the film, marking the emergence of a large number of female films, including gull, People · ghost and love, Red Sorghum, Raise the Red Lantern and so on. The progress was not slowed until 1995. ...Download file to see next pagesRead More