Download file to see previous pages...
As The Guardian observer said, Metropolis predicted the ideology of the class and race in 20th century (Bradshaw). Metropolis in a very distinct and accurate way combines social criticism, science fiction, psychological narrative and powerful love story. The combination of these factors makes it incredibly interesting to watch and impossible to ignore its huge contribution to the cinema medium and science fiction genre. Fritz Lang’s masterpiece is full of allegories, symbols and metaphors, but nevertheless it tells quite simple story though makes it in a way that makes viewer feel involved.
The story tells us about the struggle between two different classes, which are represented by the love-duo of Freder and Maria who met each other by chance. The struggle takes place in the dystopian futuristic city of Metropolis which is ruled by indolent and cruel industrialists, who live in big skyscrapers and oppressed laborers who live underground. As you can see, Mr. Lang puts working class under the ground literally where they work hard so the city can stay alive, no matter what the cost is. Real millionaires of that time would be probably happy to put rebelling working class out of their minds and sight -under the ground. In the era of industrial progress when machines started taking control over the manufacture and human life in general, Metropolis turned out to be especially up-to-date. This industrial circumrotation was portrayed as horrible and fearful Molloh which can obviously be interpreted as Biblical symbol. While in real life hard-working families were hungry and oppressed with their job being taken from them and given to machines, Molloh-machine eats workers like a hungry giant or a savage beast in the movie. As Mr. Roger Ebert said, Metropolis forestalled countless symbolic and futuristic cities of the many films to come (Ebert). The City of Metropolis is a symbol of inequity and oppression because it is built with unhappiness and
...Download file to see next pagesRead More
Huyssen (1981), on the other hand, stressed that Metropolis should be considered as an “expressionist” production of opposing utopian and dystopian views of technology, but with a greater utopian interpretation (p.223). Rutsky (1993) argued, however, that the opposing views of technology are both “dystopian”, although “mediation” (p.3) is possible.
It is set in a future time, in an urban dystopia and uses this setting to make use of the context to explore most of the social crises that exist between owners and workers under a system of capitalism. It is a reflection on how human beings may be forced into automated systems that they forget themselves but at the same time erupt because of oppression1 Nirgendwo in Afrika, German for Nowhere in Africa, on the other hand, is a German film of 2001 that is based on an autobiographical novel written by Stefanie Zweig by the same name.2 It is the story of a Jewish family that emigrates to Kenya during the Second World War to escape the Nazi regime in Germany.
In addition, films have already evolved through time with the help of technology. Nonetheless, there are still few influential films in the past that have been restored in order to cater to the new wave of audiences. One of these films was Metropolis, released in 1927, and directed by Fritz Lang, which was restored by Giorgio Moroder in 1984.
The industrial revolution inspired the cold, mechanical, industrial Metropolis of Fritz Lang’s expressionistic movie where machines controlled the repressed, impoverished masses. “The digital revolution” by then, “had enabled the mass to become the wired multitude” (Wynants and Cornelius, 268).
Its message is very clear and it somehow manages to stand the test of time. However, change is somehow inevitable and therefore some details relating to the movie have changed over time. Despite that, the relevance of the movie is still noticeable. Metropolis is a still sci-fi movie that was released by Fitz Lang in 1927.
This movie has 2 science fiction aspects, the underground factories, the underground workers' housing; and the robot/android, Hel.
An evil scientist by the name of Rotwang invented Hel, robot that will take place of the human workers in Metropolis. The only problem with the robotic Hel is that the scientist gave her a human-like intelligence.
The 1980s and 1990s however saw the contraction and dwindling of this industry and was replaced by modern industries which have expanded to become the major employer for the 2.2 million residents of Metropolis.
These industries are
t futurist tradition, the city Metropolis, which is accentuated by huge towers and vast wealth, is a concourse to a ruling elite living lavish lifestyles and decadence. They and Metropolis are taken care of by a much bigger populace of workers who labor as essential slaves in
o characteristic, they are not able to reflect the peculiarity of the human race, since on a deeper level there are some other aspects that define our identity. A good example is the highly developed spirituality that is a unique characteristic of the mankind. That is why one
derability of human relationships is currently palpable, and devastating facts can be revealed when one closely examines a metropolitan lifestyle where a purely intellectualistic individual remains indifferent to all personal things. According to Simmel, the modern culture is
3 Pages(750 words)Essay
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Let us find you another Essay on topic Metropolis reivew for FREE!