The films I choose to discuss and compare their political encounters are Tsar to Lenin (1937) a documentary from the 1950s produced by Herman Axelbank and Burma VJ (2008) directed by Anders Østergaard for…
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Both films reveal that media activism is a vital tool in the political world. Burma VJ (2008) is about the Saffron Revolution in Burma, while Tsar to Lenin (1937) shows the Russian revolution. By comparing these two documentaries about the Saffron and Russian revolution; it is evident that the revolutions altered the political dimensions of the affected nations. Additionally, the two documentaries are themed on revolution with authentic footage. However, Burma VJ (2008), attempts to bring about social changes with footage filmed by amateur video journalist while Tsar to Lenin (1937) attempts to work mere compilation of video records. This is an important observation vital in the analysis of the trends of the documentary films because nowadays advanced technology enables us to have accesses to information easily, thus such a video journal documentary as Burma VJ (2008) can force modern audiences to be witnesses to real political events.
Tsar to Lenin (1937) presents the extraordinary 1917 revelation of the Russians from a mass uprising which defeated the Tsarist regime to the Bolshevik-led insurrection. This film portrays the Russians under the Tsarist dictatorship of Nicholas II; who believed in autocracy system of governance. Russia experienced industrialization quickly and it led to low paying jobs and high unemployment rates. This film shows the luxurious life of the ones who resided at the Imperial court, while the citizens (peasants and working class) of Russia suffered in ignorance and extreme poverty. Moreover, Russia was losing in the World War I and the populace blamed the Tsar for happenings. The economy of the country grew weak leading to shortages of food; resulting to hunger and death. The reigning Tsar lacked proper management skills with both politics and the military. The Tsarist regime was put under severe compression by the challenges and the difficulties of the world war. Since the war began, inadequacies
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Traditions, values and standards within the realm of family, friends and other elements of influence as stressed by Parvis (2007) shape one’s culture. Parvis (2007) emphasized that cultural differences have always been critical and controversial. Moreover, it is imperative that in order to fully understand the concept of cultural diversity, an individual must gain insight on the terms surrounding such concept (Parvis 2007).
According to the paper revolutionary film-making is based on cinema known as documentary, with its vast scope including educational films, or the reconstruction of a fact or historical event. The images document, bear witness to, refute or support the truth of a situation, thereby raising them to a level higher than that of a film. Practice, search and experimentation underscore the activist filmmaker’s commitment to revolutionary cinema.
According to another survey conducted by Kevin Brice of Wales University2 January 2012, the youths give their reasons for conversion as the need and desire to do everything for God. They also cite alcoholism and sexual immorality within the society as some of the reasons they opt to convert.
The importance of cultural industry is not merely limited to its economic capabilities (which is, of course, relatively strong); but also to the prominent role it has on the making and unmaking of peoples' identities, attitudes, values and lifestyles. The dynamics and complexities of the relationships between culture, creative industries and the political and economic development of societies have gained the attention of theorists and researchers from the mid-twentieth century itself.
Whatever be the case, documentaries are real life depictions on screen.
Documentary films fall under varied genres, such as Authored Documentaries, Fly on the Wall, Docusoaps, Docudramas, and the like. The first two are captures of real life instances, while the latter two are enactments of what has really transpired.
Others engage highly stylistic forms of subjectivity intent on unapologetically pressing forward an agenda.
The National Socialist Party Congress of 1934 was filmed for a documentary by the infamous Nazi propagandist Leni Riefenstahl. This stunning example of political manipulation through the art of the cinema reveals in excruciatingly yet undeniably artistic fashion how the great Nazi rallies were prepared by utilizing a geometric formation that successfully and subtly succeeded in transforming what was in reality a rather nebulous mass of humanity into what appeared to be single-minded entity.
Do they hold special significance in terms of their artistic and informative merits? Do they have any drawbacks? What does the future hold for this genre? The rest of the essay attempts to answer these questions.
Some of the advantages associated with
Some of them help us expand our imagination, opening a way to unthinkable fantastic universes and events; others depict lives and legacy of prominent people (artists, politicians, kings, writers etc.) celebrating their contribution and significance in the history. For instance, films telling real-life stories of poor people of lower classes and their lives give a plausible and true view of poverty of an itching social issue.
The paper explores the various methods used in designing the films while making comprehensive study on individual sub-genres. It is vital to note that contemporary documentaries remain authoritative in exposing various economic, social, and political trends or injustices that occur within the society.
One of the most popular styles of jazz was swing Jazz during that time.
The origin of Swing Jazz can be traced during late 1920s. Until mid-1930s, it did not become popular among the masses. The popularity of this type of music reached its peak during 1940s, but it
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