Five filsm of Martin Scorsese - Essay Example

Five films of Martin Scorsese. Presently, in reference to the last fifteen years of Hollywood cinema, one director appears to outshine rest. We can possibly make substantial claims for his work on both formally and thematically. Scorsese’s work has put a solid mark on American and Hollywood past for being both audacious and innovative at the same time. (Raymond, Marc, 12).Since 1990, Scorsese films have establish him definitively as a star director in Hollywood. Some of his works include GoodFellas, Cape Fear, Taxi driver, The Age of Innocence, and Casino.

They all show of a brilliant artist in full control of each aspect of his specialty. Everything in his work, from his narrative construction, editing, how he directs his actors, all the way to his set design, sound, music, is in perfect harmony. (Casillo & Robert, 90)The Age of Innocence, for instance, looked like a doomed project in the beginning. It provoked fears of failure to live up to the solid and worthy but essentially boring literary adaptations of its time. It however became a golden piece of art, film and refinement, alive in all of its being.

(LoBrutto & Vincent, 56) He brings out the much-heated issue of violence in the other three films. He seemingly presents it in two ways .One is to refusing to show it, but always locating it just off-screen. He manages to leave us free to exercise our imaginations and experience the horror, in a way that modern Hollywood does not. Second is by making it as explicitly disturbing as it can possibly be that it is impossible for anyone except the advanced criminal to enjoy it. This is Scorseses back then.

(Wernblad & Annette, 67)These methods are however not evident in his most recent work. It was however, still possible to enjoy the violence in Taxi Driver, because of our strange relationship to the main character, but for GoodFellas or Casino, it is a different story. A notable characteristic of his soonest films is the distance he establishes between his audience and all his characters. Identification is hardly a component of the films as it if it flickers only sporadically. (Martin & Richard, 45).

The roots of this influential director run deep in the film industry. Martin Scorsese received the title “directing god” from Roger Ebert, a movie critic. A fellow director, George Lucas has termed him the most influential and best director of their time. Work citedMartin, Richard. Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema. Lanham, Md: Scarecrow Press, 1999. Internet resource.Raymond, Marc. Hollywoods New Yorker: The Making of Martin Scorsese. Albany, NY: SUNY Press, 2013. Print. Casillo, Robert.

Gangster Priest: The Italian American Cinema of Martin Scorsese. Toronto: University of Toronto Press, 2006. Print.Wernblad, Annette. The Passion of Martin Scorsese: A Critical Study of the Films. Jefferson: McFarland & Co., Publishers, 2010. Internet resource.LoBrutto, Vincent. Martin Scorsese. Westport: Praeger, 2008. Print.