Review for a play called: Frankenstein - Book Report/Review Example

Review Number Discussion Group Review for a Frankenstein Play The staged production of Frankenstein play in the National Theatre can be described as an electrifying production characterized by the best stage performance both from the lead and the characters playing the minor roles. The audience was overwhelmed by the stage production, lighting, costumes, scenic designs and the sound effects. The most incredible minor characters were Hans and Peter, who play body snatchers incredibly. Cumberbatch and Miller, playing alternating roles of the creator and the creation delivered an incredible show.

It is, therefore, imperative to note that the stage production of Frankenstein play was worth the time and resources since is delivered an outstanding experience both from the production team and the cast with a compelling and raw performance. Sound design stood out in developing major themes in this play. It was very impressive of producer Boyle to give voice to the creature since this is how the audience learns the challenges facing the creature thereby sympathizing with him. As a new born, the creature is abandoned to fend for itself.

Cumberbatch is unable to walk or talk and faces a lot of cruelty and unfriendliness everywhere he goes. He struggles in quest for some compassion, kindness and affection from the humans but faces rejection and neglect. For this reason, he not only learns to talk and walk, but also learns the art of lying, manipulating hate and anger. This presents the themes of cruelty, irony and revenge as the fashioned world shapes Cumberbatch into committing crimes and murders and eventually take revenge on his father.

Sound effects were especially effective in showing the powerful and emotive bond between Cumberbatch and Miller. The scenic design was absolutely breathtaking with an awesome set complimented by paints and striking music. Mark Tildesley was especially very creative in providing innovative scenic designs and visual coups. About ten initial minutes of the production were extraordinary as the stage provides an impressive scenery where Victor is busy with his experiments of making life. The stage is set with overhang candle-filled canopy in the auditorium and the light produced blazes to illuminate the galvanizing experiments of Victor.

Tildesley design evokes the essence of early industrialization by using sleepers, tracks and a steam-belching train. Furthermore, the auditorium is completely set in a background in a grey cloth to suggest an ancient quarry. A natural touch to the play is enhanced by the use of birds to enhance the creature’s discovery of nature. The atmosphere in the theatre is exhilarating especially on scenes which concentrate on Cumberbatch and Miller. As Cumberbatch grows, the design is filled with operatic touches and brilliant strangeness and surprises.

The play becomes very funny and poignant as creature grows cognitively to develop eloquence and brilliance in science. Surprises in scenery are witnessed as the creature and the creator change roles. Scenic designs in this production effectively provide a reflection on major social concerns such as the nature of good and evil, social effects on cognitive development, parental neglect and scientific responsibility. Frankenstein play stage production was effective in delivering themes of revenge, scientific responsibility, and parenting through effective application of sound, lighting, scenic design and costumes.

Most especially, sound and scenic designs have been very influential in the development of themes. Work Cited Nick Dear. Frankenstein. Boyle production, National Theatre. 2013.