This essay discusses the epic American movie "Dances with Wolves", that released in the year 1990 was directed and produced by Kevin Costner who was also the male protagonist, First Lieutenant John J. Dunbar. …
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The story tells that the most remarkable aspect of this movie has been that the director has aesthetically explored the emotional facets of a co-culture, the Lakota culture. The writer has stimulated, without using preachy techniques, compassion and thoughtful consideration of this culture. There are some small scenes that bring forward the human sensitivities that are inherent in Lakota culture. There was a scene where the tribe’s medicine man, Kicking Bird, and his wife were lying on the bed and viewers could sense anxiety and uncertainty in his expression. It was then shown that Kicking Bird pulled out one of his children’s dolls on which he had lain upon. This small and seemingly insignificant scene exposes to the viewers that parental feelings that common people experience in their lives are also present in a profound sense within the Lakota culture. With scenes like this, the director has successfully managed to portray the human side of this culture and such scenes have demonstrated that humanity is a common element inherent to all people regardless of their caste and community. The movie has managed to convey the message that the tendency of one culture to see the other cultures as inferior.
In conclusion, a solution to multicultural conflicts can come from an understanding of the cultural perceptions of the other culture. This is the ultimate message of this movie. John gets accepted by the Lakota Indians as a respected guest only when he learns their language, and with an open heart acknowledges their lifestyle and customs.
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Speaking about the buffalo, Dunbar attempts to show -- through acting or imitation as if he is a buffalo -- to the Indian chief of what he is talking about. Evidently, Dunbar and Kicking Bird belong to different ethnic identities, which become, in the process, an obstacle for them to clearly and directly exchange thoughts.
Cinema audience would applaud performers who commit crimes or illegal acts since they were portrayed by the lead characters. Usually, the audience would side with the actors/actresses despite commission of acts that run counter to the tenets of ethics and morality.
The book traces the journey of the young soldier, (Lieutenant Dunbar), from a dignified army man to a passionate member of a Native American tribe. Courage and bravery, qualities which Dunbar possesses in ample measure, help him through many difficult life-or-death situations.
He dresses himself and horse rides in a suicidal route in front of the confederate picket line, yet somehow not only survives death but becomes a hero since he acted as diversion for a federal attack. He is told to choose his assignment and he picks to see prairie before it is all gone and posted to the Dakotas (Monroe 44).
Both of them are based on ethno-racial conflict between the Red Indians and the Native Americans who had been in vogue in the then US socio-cultural establishment since it had been the central idea of many literary pieces and movies during nineteenth and twentieth centuries.
Everyday social interaction therefore leads to emergence of multiple relationships between multiple unique individuals in a diverse human society. The author uses the family institution to illustrate various relationships within the native Indian society.
The red wolf range included southeastern United States.
Slowly and steadily European settlement increased in the ranges of wolf habitat and which in turn resulted in frequent interactions between wolves and humans. These interactions had a negative impact on the population of wolves and played a major part in the declining of their species in the region.
Instead of displaying a situation in which an arrogant US Army officer goes into a far Western post with the expectation of fighting Native Americans and showing little respect to their way of life, the films main character
Lieutenant Dunbar appears to be going through hard times to an extent of wanting to take away his life. If Dunbar was living a good life as a soldier, why would he even cherish the idea of suicide?
The theme of loneliness is evident when Dunbar reaches Dakota. In
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