Women's Portrayal in Artistic Work - Essay Example

Women Portrayal in Artistic Work Introduction The woman representation in the art history has been at the epitome of assumption in the aspects of constraints, social expectations and the manipulations rotating around politics. The perception rotates around the production of artistic representation of women. Many writers and actors drew various pictures on the perception of a woman. Such perceptions drew contrasting information regarding the women lifestyle and cultural outlook. Women are perceived in different negative ways according to the images drawn during the 18th century. Women Representation in the Images In the analysis of the women pictures portrayed by the Manet Olympia, the woman is on representation as a female gorilla, with relation to the grotesque painting. The woman is on the depiction in the society as a prostitute. The nude prostitute lies back on the white pillows on the bed.re is a a male character at the back, holding flowers. At his back, a cat looks out at the two partners. It seems to recognize the recognized widespread of prostitution but with immense fear of the growing working classes. Prostitution with the symbolic of lower class society is under the process of being undermined by the cartel of prostitutes, which constitutes “a class.” During those moments, a great number of people had an immense perception that prostitutes were market commodities. Sexual commerce was a common clientele in the society during those moments. The conflict arising from the perception of women by the author is indicative of the acceptance of her own sexuality. The woman representation communicates of her own sexuality. Olympia’s sexuality in the book is on well representation, and fully annotated by the cat, which is a symbolic representation of female genitalia, the flowers a representation of tropical exoticism, the hand of Olympia on the cover of her pubic hair and her full nakedness. Prostitution did act as a form of divine prototype. The woman in the book is modelled in a way that her modelling style and appearance evokes intense sexual feelings. It brings up the concept of modern pornographic images of those in the lower level prostitutes. The contemporary women are hence represented in a negative way, a different perception in the society. She is perceived as being promiscuous and drunkard. She has an aspect of a masculine personality while at the moment having a feminine character. Such aspects are in intermix by the male dominance. The male gaze controls Olympia’s gaze. It represents the aspect of submissiveness among the women. As history suggests before the art critics the Paris public did possess a comfortable perception with reference to the naked females in the art. It deploys people as being afraid of change. The public response to the two drawings was an indicative of the shame in reference to the nakedness in the woman. The woman nakedness is sometimes a subject to questioning. Manet has a clear and sober knowledge about the audience he were portraying his artifact. However, his goal of the drawing did fail to have a full sink in the minds of the public during that moment. The publics had a great value for morality. Olympia had a great insult to the morality in the society. It is evident in the initial reaction of the publics who were obsessed fully with outrage, anger and hostility. Women perception as prostitute did not warrant them a direct approval even in public as the painter did. Direct exposure to the public was not acceptable. The target audience could have had a positive perception of the naked woman on portrayal. They could have perceived her beauty. Instead, they are the verge of direct criticism. The Luncheon in the Grass also depicts a female nude with men in full clothes. The artistic work is both shocking and full of humor. The young men are clad as dandies. The men are in a busy conversation, but seem to have an ignorance attitude of the presence of a woman. The background appears to have some aspects of paintings. The scene is, therefore, in the in-doors environment. Again, the works are an interpretation of the prostitution that was rampant outside Paris city during the 18th century. The nakedness is also a form of indecency that is not acceptable in the society. It is even shocking that a woman is between two clothed men yet she lacks even the slightest urge to wear the clothes. It reflects the insensitiveness. It is a direct communication of obscenity (Dolan, 112). On the other hand, Ingres is also a known cultural fanatic and a student of conservatism, with immense urge to discover the contemporary romantic aspects in a woman. Through her aspiration in the study of art, he brings across a desire to portray an ideal form of a female body and distortions of nudity. Her images communicate terrorization of the female body. It is art dispensation of portraying sexual submissiveness. Historical studies communicate of the history of dress and the nudity portrayal with close reference to the historical periods. The Source refers to the famous work of Ingres, which reflects a nude woman posing in an erotic manner. The painting act to depict a nude woman in an upright position. He stands in between rocks, on her hands pitcher flows. It is a symbolic representation of poetic inspiration. On closer examination of the image, she seems to be standing between the flowers. The woman is an interpretation of close association of woman and nature. Ingres seems to be a classical and consistent defender of culture and neoclassical styles. He seems to have close liking and desire for romance in all his paintings. He creates a set of eroticism in the paintings, creating up an environment of eroticism as the viewer and the target audience perceives it. However, one may wonder the reasons behind such perception, the factors rotating around such personification. The society during the 18th century seems to have been preoccupied with the soiling and brokenness of morality, and hence he was in dire need of communicating the same to them (Betzer, Sarah & Jean, 55). Conclusion The epitome of the analysis of the images communicates of women as sex tools, subject to misuse by men. It is not in order to portray in public the nudity of women, but the image drawers are comfortable at expressing their ideas. It is a close reflection of the moral decay, gender abuse and infuriating women. However, it is symbolic of what is happening in the society. Cited work Betzer, Sarah E, and Jean-Auguste-Dominique Ingres, Ingres and the Studio: Women, Painting, History. University Park, Pa: Pennsylvania State University Press, 2012. Print. Dolan, Therese. Manet, Wagner, and the Musical Culture of Their Time. , 2013. Print. Read More