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An auteur in the context of film history and criticism is considered to be a director who is also an ‘author,' With respect to being the author, the directors happen to work within conventional genres and forms and still impose a distinct vision on the film.
The above characters are the once that help cement the principal theme of relationship that runs in the movie. Since the themes are subjective and delicate, debate might ensue concerning this. Romance might be prominent but does not cut deep as it only implies moments while a relationship encompasses the moments as well as the nitty-gritty arguments, solitude, and repairs.
Films can be approached from the following analytical positions: psychoanalytical, iconic, and shot-by-shot analysis. Iconic analysis deals with the analysis of a picture or image to try and understand how the different pictorial elements are used to convey the meaning of the film. In the shot-by-shot analysis, a written description of the film is given in the form of the order of the shots. A psychoanalytical analysis generally involves the observation of the events and how they change.
The rear window has done wonders as it remains a favorite for many. It still is a great hit to many. Though the polls are inconsistent, they indicate that the movie is still popular for many.
Having done a great movie with the kind of technology that was there 60 years ago, Alfred Hitchcock would have done wonders with the special effects that are now available.
Sigmund Freud’s popular theories of psychoanalysis are proved to be correct by Hitchcock. Hitchcock believed he could unlock the human mind using any key. The Freudian techniques were adapted by Hitchcock in the creation of twisty murder plots, and also film buffs (Mondo,2014).