Reflection on Kon-Tiki and The Concept of National Cinema - Essay Example

REFLECTION ON KON-TIKI AND THE CONCEPT OF NATIONAL CINEMA Critical analysis of Kon-Tiki explores the various film production and literary tools. However, the most important aspect of this movie is its origin. It can be noted that it was derived from an expedition by Thor Heyerdahl who was a Norwegian explorer and writer. The raft used to sail from South America to the Polynesian islands through Pacific Ocean (Renov, 2004). An aspect of coming up with an idea on creating a film is emphasized from the preview of this piece of art.

This film covers the cultural interaction the voyage experienced and the effect this put in their lives. In this regard, the Concept of National Cinema which was advanced by Andrew Higson is relevant to this film in its entire creation, editing and production (Andersson, 2010). The concept of National Cinema asserts that a film reflects the culture of a given country of its origin. This explains the varied dress codes, languages and overall production techniques of movies across the world. Taking the instance of Kon-Tiki, the film gives a narration of the cross cultural experience of the sailor through America and learning important aspects of cultural diversity as far as the role of art is concerned (Williams,2002).

The filming industry as indicated by Higson need to observe the role of culture in influencing the audience size of the film viewers. Even the source of funding of a film dictates the cultural domination in it. In the case of Kon-Tiki, the film was created from a book that already had massive demand in various parts of the world before being acted through United States funding. It is therefore worth to conclude that the ideas expressed in Higson’s Concept of National Cinema are significantly captured in the techniques and mode of production of the film.

ReferenceAndersson, A. (2010). A hero for the atomic age: Thor Heyerdahl and the Kon-Tiki expedition. Witney: Peter Lang.Renov, M. (2004).The subject of documentary. Minneapolis: Univ. of Minnesota Press.Williams, A. (2002). Film and nationalism. New Brunswick, N.J. [u.a.: Rutgers Univ. Press.