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All the films of this type had similar idea and topic. Often they described difficult situations that had to be overcome by the antihero. The introduction of antihero is a very important characteristic of noir style. The main hero was not noble and positive, he had many drawbacks, but still managed to make readers like him. The key element of this type of films was portraying the life of people with negative characteristics or bad reputations. The lives of criminals and gangsters were often used as central theme. The noir films were created in 1940 -1950 until the new term was introduced. In the 1970s the term “neo-noir” appeared. The difference between the genres was in the technologies that were used in the 1970s. Another peculiarity of the neo-noir films was their modernization, as they commonly depicted events, which happen at the time when they were created. Such type of movies appeared due to the great number of social attitudes. The noir films managed to change the views of people. The possibility to have any kind of relations with the antiheroes and not just to reject them was the main idea of the noir films. The noir films made people like and admire the main heroes. The position of the neo-noir films where one had just to observe and not to be a part of the performance was quite different. The theme of the film predetermines such attitude of the watchers. A number of new topics were presented by neo-noir films (Difference between Noir and Neo-Noir). The Double Indemnity is the classical noir film that was created in the 1914 by Bill Walder. The film was based on the play by James Keyne, which had the narrative character or technique. The Double Identity was included in the list of films of the National Register by the Congress Library in 1992. According to the critics, this picture is the most completed and recommended tutorial on the noir films. One of the brightest femme fatale images in the history of filmmaking was create by the Barbara Stenwick. Experts state that film by Walder had become the model for a number of films about vamp women, who ruinously influenced the honest men. In the 1981 the movie was re-shoot under the title Body Heat. The title of the movie depicted the traditional state of the insurance policy of that time that provided the guarantee of the double payment in case if insured person died from the accident. A handsome insurance agent Walter Neff, the hero of Fred Murrey, met the fatal blonde Fillis Dietrichson that was played by the Barbara Stenwick. Dierichson easily charmed the main hero Neff. The name and the manners of the main heroine remind us about Marlen Dietrich. Dietrichson manipulated Neff and persuaded him to get rid from her husband and in order to guarantee the prosperous life in future gave the insurance policy with the double indemnity for signature to her doomed husband. The criminals had realized their plan skillfully. The next day the coworker and the friend of Neff Barton Kiz intervened. Not even suspecting Neff he turned the life of the murderer into nightmare. Keyne’s narrative was based on the real crime that was committed in the 1927 and stirred up the whole America. First drafts appeared in the 1935 but they were banned by the advocates of the Heise Code who considered the story to be immoral. The isolated detached houses of 1920s build in the colonial style were chosen for shooting. You can notice the script writer Raymond Chandler who had accidently been in the
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