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Compare and Contrast - Essay Example

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Renaissance and Contemporary Art Institution Identification of the art history Renaissance period evolved during the 13th and 14th centuries. As a culture, the art period led to the advancement of art and literature during the 14th-16th centuries…
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Renaissance and Contemporary Art Identification of the art history Renaissance period evolved during the 13th and 14th centuries. As a culture, the art period led to the advancement of art and literature during the 14th-16th centuries. Among the most famous artists of the period were Giotto DI Bondone who was recognized as the father of art and Renaissance periods as he implemented diversity in painting, and Ambrogio Lorenzetti who contributed to the Renaissance period of art with allegory (Smith, 2012).

Further, Cimabue contributed by teaching art in Italy and contributed to the Renaissance period while Giotto and his student Duccio DI Buoninsegna contributed to an international gothic period that spread in the Northern European territories. Lastly, Simon Martini through his gothic art painting exemplified his performance through the Sienese panting that influenced many cultures. During the Renaissance period, most of the artists concentrated on developing artwork that would enable them to pass knowledge to the audience concerning subjects that had for a long period of time remained as myths to the society (Richardson, Lymberopoulou, & Woods, 2007).

For instance, most of the biblically related paintings developed during that time were knowledgeable in that the enabled other artists in the fields of poetry and writing to idealize the actual situations witnessed during the events. On the other hand, the contemporary artistic painting, writing, singing, and filming started in the 20th century in the late 1960s. The art period’s artists developed different styles, which yielded them fame that is applauded presently by the global society. Arguably, contemporary art is widely applauded as the form of art that has continuously evolved during our lives.

The artwork extends considerately to lure viewers and readers globally at a global perspective. Notably, contemporary art’s icons in the modern society are Marina a renowned performance artist, Peggy Ahwesh a globally famed video artist, and Vik Muniz an iconic Brazilian painter. The period’s artists focus on their work in expressing their emotions, thoughts, and further to depict their perceived presentations of the documented and undocumented histories. The period marked the cutoff, a turn whereby art the society applauded the postmodern and postmodernism terminologies gained acceptability as the crucial approaches of defining art (Smith, 2012).

Mainly, the two terms argued that the period’s art acquainted the society with an ideal artistic diversity unlike the former practices. The cultural and historical contexts Arguably, Renaissance art history ran in the 13th and 14th centuries while contemporary art period dates from the 1970s to the present. The two versions are distinctively recognized in different, but positive reasons that they imposed to the society. The approaches revamped the artists’ desire to develop outstanding projects while still serving as the ideal platforms for delivering psychological thoughts to different groups and types of audiences.

Further, the renowned art period influenced the development of competent artworks that still inspire the art community on a global perspective. Both the audiences and artists embed their loyalty to enhance this periodic art approach considerably (Richardson, Lymberopoulou, & Woods, 2007). Arguably, contemporary art is broadly recognized as the period that marked the beginning of a spectrum of different art designs ever known to the human society. Stylistic traditions In the 13th and 14th centuries, the human race was growing its practices in art through the development of literatures and paintings.

Historically, Renaissance period suffered the threat of development due to the widespread political instabilities as different empires enforced their strategies to win extra territories. Despite these challenges, different icons were able to design their paintings and other forms of artworks, and such advantages were dominant to those who lived in politically stable environments. It is during this period that the oil on panel, drying oil on canvas, and the Retable a term denoting to the frame used to encompass triptych artwork panels were developed.

In the case of contemporary art, the artists who concentrated on painting depended broadly on the formerly invented materials of the Renaissance period (Smith, 2012). Arguably, the period’s developments are only witnessed in musical instruments, styles, and in the improved audio and visual equipment. Similarities and differences in accordance to each of the art history Contextually, contemporary and Renaissance period seems to show various, and yet significant similarities. It is evident that the Renaissance period practiced the use of oil on canvas as well as the oil on panel media of painting.

Artwork developed in the contemporary period seems to reflect the usage of oil paints thus showing a close relationship with the Renaissance art. Further, modern artists also embrace the practice of revising Renaissance art for instance; Vik Muniz revised Leonardo Da Vinci’s piece of art called Mona Lisa (Smith, 2012).These artistic practices depict the correlation between the two traditions. Contemporary artists also use the canvas as a medium and encase their work in frames, a factor that reflects the use of Renaissance styles of art.

However, differences occur between the two artistic traditions that influence variations in the periods. Arguably, the Renaissance period comprised of artists who concentrated on painting and writing in their bid to enlighten the society on undefined histories (Richardson, Lymberopoulou, & Woods, 2007). On the contrary, contemporary artists vary broadly in that they focus on expressing their emotions through the various arts, which include painting, photography, filming, and music composition among others.

References Richardson, C. M., Lymberopoulou, A., & Woods, K. (2007).Renaissance art reconsidered. New Haven: Yale University Press. Smith, D. R. (2012).Parody and festivity in early modern art: Essays on comedy as social vision. Farnham, Surrey, England: Ashgate.

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