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Tarantino’s application of style in the Pulp Fiction is a representation of emerging approaches. It is centered on a movie context rather than real life. The use of alteration and paradox gives new energy to the film and gives its audience a new experience. The infamous Pulp Fiction is a tale of a number of connected lives of two men who make a living from killing, a boxer who is aging, a mob boss, accompanied with his wife. The story revolves around the lives of these individuals as they experience a number of unsettling, intense, memorable, comic and emotional situations.
In a review of the film, Ebert Roger describes it as being a comic film that revolves around drugs, violence, blood, unusual sex, dead bodies and other graphic details. The plot of events and the theme of the film seem to be strange. Tarantino matures every scene sufficiently by the use of a variety of cinematic aspects, which transforms the film into an iconic and a memorable masterpiece (LoBrutto, 76). Tarantino applies cinematography, editing, affectivity of sound and mise-en-scene to warn the audience of any events transitioning, introduce scenes, enlighten the audience hidden traits about the characters and enhance anticipation while maintaining suspense.
This is evident in a scene where Vincent has to pick up Mia from Wallace’s house for the night. The scene commences with a tracking shot of him making his way to the front door in which his body forms a silhouette in the front door. The cameras capture for a brief moment the note that has been taped to the door and then make a zoom in on the note. The interests of the audience are maintained by the shift to Mia’s voice which narrates the note and this explains the content to the audience.
Vincent enters the door and Tarantino’s expertise when it comes to mise-en-scence becomes apparent (Jewers, 99). The effect that immediately captures the eye is the color scheme of the house. Almost every item is white in color, which the inclusion of the couch, carpets, walls, lamps to even the shirt that Mia is wearing. For the enhancement of the white color scheme, key front lighting is used in the scene. This color also adds irony to the film since white in often linked to purity, yet the inhabitants of the house are far from innocent.
One addicted to crack while the other is a mob boss. Juxtaposition is also introduced with regard to the fact that Vincent is wearing a black suit yet the rest of the house is white in color. Analysts may suggest that this is a premonition that he has no place in the house and that bad misfortune will befall him if he stays in the house. The house has also been designed to appear to be very modern since various forms of modern technologies have been incorporated into the house such as cameras that are able to watch over the main rooms (Polan, 133).
While Vincent if unaware that he is being watched by Mia through a camera viewing station, he walks around the house at ease. To maintain the entertainment value of such a scene, Tarantino makes use of non-dietetic sound, despite the fact that it was coming from the record player, but the audience is not aware of that aspect until the end of the scene. The song is about a about a girl that is in love with the son of the
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