Film Analysis on Last Tango in Paris - Essay Example

Download file to see previous pages... Bernardo Berolucci directs it. The story revolves around a man who has just divorced his wife and is searching for peace in his life. The movie begins with a lady who is looking for a house on rent, and she finds this man in the same house. The lady has also gone through a lot of pain in her real life and that truly reflected in the movie. Paul, Marlon Brando plays the main lead, while Jeanne the female lead is played by Maria. While Paul is gong through an emotional turmoil since his wife committed suicide, Jeanne is also suffering emotionally since her fiance has not been giving attention to her and is busy trying to make a movie, and the fact that he is a very narcissistic personality. Paul and Jeanne meet in the house and Jeanne arrives there since she is looking for a house on rent, and Paul happens to be there for a similar reason. Right after they met each other, Paul tries to have sex with her and they make love instantly. This was the beginning of the story and then they continue to live with each other. One day Paul left her, only to find her at the street and they both resumed their sexual relationship. Paul is a disturbed personality and has been extremely well portrayed by Brando. He doesn’t like knowing names and refuses to tell his to Jeanne, and asks Jeanne not to tell hers to him. He doesn’t believe in this concept and tends to get very irritated. Later onwards, while they continue their relationship, one fine day Paul leaves. He meets her somewhere again, and they both come back to the rented house. There he tells her that her is in love with her, and asks her the name. She tells him the name, and then immediately shoots him to death. The movie ends there. Cinematography Vittorio Storaro did the cinematography of the movie. He used light in connection with the conscious side of the mise-en-scene and dark for the unconscious. He picturised the movie in an epic manner. He used low light techniques frequently to cast a dark shadow in the room, especially in the sexually explicit scenes. He drew a conflict between light and shadow, which came naturally to him. The cinematography of the movie took different routes during the filming and the picturization of the movie. The cinematographer used low light and high frequency techniques to display grey shadows and dark colours often in the movie. Francis Bacon, the painter of many scenes, which were later, portrayed in the movie, played an influential role in the minds of the Vittorio Storaro, in the way that he used the paintings to carve out beautiful scenes. There were certain confusions with regard to the lighting effect in the movie, especially the warm artificial light fragmentation, since the wintertime in Paris used to have natural winter light. Therefore, it was a challenge for the cinematographer to put into perspective a different shade of grey into the picturization. Putting into place a different light effect did require some greater conviction, and that was justified once he saw Francis Bacon’s paintings. The look of the film is pure romance—lots of dusky, autumnal golds and blue-grays, long, graceful camera movements, scenes shot through frosted glass or against fractured mirrors. Camera Movement Bertolucci camera's movements throughout the film characterize the rights steps of the tango, which the two main characters execute at the climax of the film. The camera movements focus on the tango ...Download file to see next pagesRead More