Magnolia- A Depiction of Varied Emotions Every life and every individual has faced regrets in his or her life. It is impossible to say that there is anything in this world that has not faced regrets in his or her life…
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The saying on regret mentioned above is the best way to sum up or describe the plot and story of this movie. In this movie, every person is related or their story is linked and connected with the other person. Therefore, every scene and story of every individual in the movie consists of complex situations which get along very well with each other. "Magnolia" is a film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. (Magnolia Movie Review & Film Summary (1999) | Roger Ebert) It is said that Magnolia is not one of those movies which could be understood by every viewer. Even when Magnolia was released worldwide in 1999, there were many viewers and those who reviewed the movie, their responses were quite conventional regarding it. They believe that it is a representation of emotional vulnerability. Therefore, due to these reasons, this movie can be looked through various aspects, perspectives, and prism as it includes a religious world and dimension. After releasing the first trailer of this movie, it demonstrates that the movie about love which is either lost, gained, given, or withheld according to different situations. Basically, the religious aspect which is given in this movie shows the action of trapping the conflicted sinners and miscreants due to their wrongdoings in past relationships of reprobating. As it is clearly shown that this movie does not really have a plot but it conveys a very strong message as well as some great views and points. As this movie is about the lives and doings of 9 to 11 individuals, it is really hard to have a specific plot on which a movie had to be directed but the least a good movie can do is to motivate and spread out a strong message to its viewers. Not only the movie brings forward the shortcomings and fear but also sexual and emotional abuse. It is said that the people and viewers who call this movie exemplary are “actively dodging the social gravity, the psychological resonance, and the emotional poignancy of the conflicts mined in the film’s sensitive writing and talented ensemble acting. Most of the Magnolia’s characters have hit a crisis point at the start of the story. (Lane, 2) Anderson’s (the director) only philosophy was that bigger is better which was proven right with the help of this movie. However there are certain points in the movie where the director has shown inability to create a good film. It would be one thing if Magnolia offered multiple points of view, but Anderson is really only concerned with his own: a heavy-handed, self-pitying indictment of bad parenting and its sorry effects. Anderson expands his timeworn theme with a motif about chance and destiny (MAGNOLIA) As this movie is basically based on 9 to 11 people’s lives who are faced with regrets, his biggest failure in this movie is technical failing. As from every person to the stories and scenes, everything is linked and correlated. Therefore, switching the stories and making right decision at the right time is a difficult task. Therefore, the narration and writing of this movie is very complex. He has not perfected it yet that the way he crosscuts and switches from one scene to another which eventually is not the match of temporal relationships. For instance, there was a scene where a couple breaks up at one second, and the next moment the whole movie is switched Stanley who was the genius boy, deciding to put a stop at playing the tawdry game show. Even
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