We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Nobody downloaded yet

Michelangelo on Flemish Art and Rogier's St Luke Drawing the Virgin - Essay Example

Comments (0)
In Francisco de Hollanda’s Michelangelo on Flemish Painting, which is part of Four Dialogues in appendix to his 'lractado de Pintura Antigua (written 1547-49), he relates a conversation that he had with Michelangelo di Lodovico Buonarroti Simoni, one of the most well remembered and talented artists of the Renaissance.1 In this conversation Michelangelo discusses the value of Flemish art and that it is not good art, but that only Italian art can be considered good with a show of devotion to God…
Download full paper
Michelangelo on Flemish Art and Rogiers St Luke Drawing the Virgin
Read TextPreview

Extract of sample
Michelangelo on Flemish Art and Rogier's St Luke Drawing the Virgin

Download file to see previous pages... One of the most interesting comments attributed to Michelangelo by Hollanda’s in Michelangelo on Flemish Painting is that Italian painting is not good because it is produced in Italy, but it is good painting that happens to be reproduced in Italy. He goes on to say that even if painters of other nations were to produce good painting, it would still be Italian painting because most of the good painting that is done comes from Italy. It is not the Italian nature of it, but the monopoly on good painting in Italy that defines it as good. The conclusion to this is the Flemish painting is not good, although it is a good effort. The tone seems to be a bit condescending to the Flemish artists and suggests that the devotion that can be seen in the Flemish art is laudable, but Italian art captures the true artistry that pleases and honors God.2 In looking at the painting St. Luke Drawing the Virgin by Rogier van der Weyden, it is clear that Michelangelo’s perspective is both arrogant and inaccurate. ...
Luke, but also to separate him from the other painters of his region as the first truly Christian painter.3 The details of the work are rendered with perfection with the folds of the fabric lying heavy and the perspective of the space precise. The same kind of attention to detail can be seen his Weyden’s work Devotion. Apostolos-Cappadona writes of her first encounter with the painting that “there were those inevitable break through moments when a fold in one of the Magdalene’s garments, the muscles in her contorted arms, the luminescent tears dripping slowly from her eyes, or perhaps even the flow of the brilliant colors of her garments into and out of each other caused a pause in my tranquility”.4 This description of the detail and beauty of the work as given by religious and art scholar Diane Apostolos-Cappadona shows that the rich details of the work are not lost in the belief that Michelangelo promotes to the worth of paintings coming outside of Italy, nor to the style that define them as other than Italian. Weyden has an intentionality that is as complex as any of the works that came out of Italy at the same time as his works were painted. Stokstad and Cothren write that the contortion that is placed on the body of Mary Magdalene balances out the heavier weight of the composition on the left.5 The design of the work is both meaningful on a spiritual level, but meaningful on a compositional level as well. Alfred Acres describes the development of Weyden’s work as textual with the use of literal works of literature showing up in his work as well as a litany of symbols that define Weyden and his intentions within the work. What Weyden does is to intertwine visual and verbal theologies in order to create a ...Download file to see next pagesRead More
Comments (0)
Click to create a comment
Prostitution in Dutch Flemish Art
The painters in this era have left the deepest of an impact on the world of art and creativity. The paintings produced in this period were representing a set of themes which were employed by the painters representing their remarkable state of mind and the way they perceived life and emotions.
8 Pages(2000 words)Essay
Art history
The depiction is of Mary in a bedchamber, seated by the light of a window at the right, positioned on the floor in a stance that implies that she had been busy reading while angel Gabriel comes to pronounce that she was blessed among women to bear the child Jesus.
3 Pages(750 words)Essay
St. Augustine' Art of Rhetoric
Augustine. I have chosen St. Augustine for the fact that considering his diverse religious maternity, he still had a very clear vision of what he had to in his life and the way he put his talents of rhetoric to full use has been a phenomenal inspiration for not only me but generations to come.
2 Pages(500 words)Essay
The theology of St. Luke
rait of the missives thus a lot of attention to detail is made necessary on the part of assessing and eventually analyzing the evidence which has been reached upon formerly in a precise manner nonetheless. The theology of St. Luke needs to be understood from quite a number of
8 Pages(2000 words)Essay
ause this cultural revival, which happened roughly between the years 1400 and 1600, had its start earlier than other countries in Western Europe within the major city-states of Italy. “The term ‘Renaissance’ might now be defined as a model of cultural history in which the
8 Pages(2000 words)Essay
Religious Symbolism in 15th Century Flemish Art: The Madonna with Chancellor Rolin
One such work is the 15th century painting by Jan van Eyck, Chancellor Rolin’s Madonna (1435). The work was commissioned by Nicolas Rolin, Chancellor of Burgundy (Web Gallery,
5 Pages(1250 words)Essay
Art History (Michelangelo)
The marble had been exposed to the weather for over 25 years (Sullivan). This made the marble smaller than the committee envisioned. David stands only 13’5”. David was intended for “one of the buttresses of the Duomo, it was placed instead in the plaza outside
1 Pages(250 words)Essay
childhood young Michelangelo was drawn to arts, but his father discouraged him from this, considering such activity to be below his family’s social status. Nevertheless, at the age of 13 Michelangelo was apprenticed to Domenico Ghirlandaio, who was the most well-known painter
3 Pages(750 words)Essay
Art Michelangelo
und by the established norms of the society and that is why he dared to sculpt nude figures even though it eventually earned him the title of ‘inventor of obscenities’. His works revolutionized the progress of the art of sculpting and he could truly be named as the giant of
1 Pages(250 words)Essay
This painting, accordingly, is a “self-portrait” as she was expecting her impending doom. In the lithograph, a skeletal hand touches her left shoulder. Also, the ambits of her eyes are painted with deep shadows, which make her look very exhausted and about to take her
2 Pages(500 words)Essay
Let us find you another Essay on topic Michelangelo on Flemish Art and Rogier's St Luke Drawing the Virgin for FREE!
Contact us:
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us