Creative Nonfiction Film Subject: Professor: February 24, 2013 Introduction Creative nonfiction films focus on real life occurrences. The research delves on Muhammad Ali’s plans and strategies to survive in real life United States. …
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Prior to the actual Zaire fight, the two fighters proudly stated that each boxer will knock out the other opposing boxer (Denby 123). The film’s drama environment heightens as each boxer convinces the general public, especially the movie audiences, that the opposing boxer is no match for the other boxer. Just like the personal essay, the movie is filled with heated conversational element. Further, the film may contain themes of honesty, confession, and privacy. In the nonfiction film When We Were Kings, the film correctly centers on the theme of honesty (Lopate, Getting Personal: Selected Essays 197). Muhammad Ali originally keeps espousing that all Americans should be honest (Lopate 130). Muhammad Ali espoused that Americans should stand up for their beliefs. Muhammad Ali refused to join the Vietnam War. The boxer insisted that the United States should meddle with the internal affairs of another country, Vietnam. For refusing to be drafted into the Vietnam War, Muhammad Ali was convicted and jailed for five years. Muhammad Ali theorized that the Vietnam people should be entitled to their privacy from being intruded by the United States army. Likewise, Muhammad Ali confessed to the people that he is willing to be jailed for his political belief on the encroachment of the United States on Vietnam’s political issues.
Furthermore, the film may include issues that contract or expand the self. Specifically, the film may focus on the behavior of the person of film protagonists and antagonists. In the nonfiction film When We Were Kings, the film rightfully shows that Muhammad Ali consistently espoused that he can easily knock out the crowd favorite. The crowd favorite is the defending world heavyweight champion, George Foreman. Muhammad Ali proves to his critics that he was right. In the Zaire fight, Muhammad Ali was able to knock out George Foreman. When Foreman fell to the canvass, the boxing referee counted out the defending champion, the seemingly unstoppable George Foreman (Gast 1). The film clip starting from 1:01:08 to 1:08:02 time lapse correctly shows the real life boxing match between the two boxing gladiators. The audience can see how George Foreman unloaded several punches onto Muhammad Ali. Muhammad Ali leaned on the ropes to prevent falling onto the boxing ring canvass. After Foreman slowed down his boxing pace, Muhammad Ali pounced on the unsuspecting Foreman. As expected, Muhammad Ali knocked out George Foreman while keeping the movie audiences on their feet awaiting the final outcome. As expected, the film correctly shows Muhammad Ali exchanging pleasantries with a girl. The Film clips also show the time frame of the activities from the 40:02:00 movie scene to the 40:39:00 time lapse film scene. The film captivates to audience by making the films more realistic. Moreover, the film may include challenging the status quo. In the nonfiction film When We Were Kings, Muhammad Ali correctly fought hard and long against the status quo. The status quo requires all able-bodied United States citizens to join the Vietnam War. The United States law punishes any American citizen from rendering the required services within the United States army. Muhammad Ali insisted that his new religion, Islam, prohibits him from joining the United States
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