The period has also marked the coming of Buddhism to the country “from the Korean Kingdom of Paekche” (Mason 40). The city of Fujiwara-kyo that has been built with an imperial palace is known to have been constructed based on how the Chinese capital Chang’an was built; the palace precinct was being surrounded by earthen walls, covered by tiled roofing, with its surrounding earthworks and Buddhist temples (Mason 42-43). Another city was built similarly to Fujiwara, and this was the city of Heijo-kyo. In Heijo, Shinto shrines and Buddhist temples from Fujiwara were restored to achieve an identical structure of the former Japanese capital. Summarily, from the Asuka to the Nara period, capital cities have been established and re-established but as new cities were built, the pattern that was being followed was still Chinese; Buddhist temples, sculptures and shrines still existed. The Chinese is said to have also influenced the manner of how the Japanese people wrote and gave meaning to their written pieces in the past. During the Nara period (710-94), the art of writing otherwise known as calligraphy has flourished.