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King Kong (1933) and Scarface (1932) - Essay Example

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KING KONG (1933) AND SCARFACE (1932) Introduction The artistic purposes that films serve is the fundamental reason why there continues to be hot patronage for various films. Film lovers are thus art lovers, who but films with an expectation of one form of art presentation or the other…
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King Kong (1933) and Scarface (1932)
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"King Kong (1933) and Scarface (1932)"

Download file to see previous pages But for film makers to present their stories in an excellent manner there are a couple of factors they need to be considered. These factors may be numerous but are highly interrelated and thus they have to ensure that each of them is well connected to the total make up of the film. Three of these factors are story structure, cinematography and editing. In instances where any of these three pillars is misplaced, there is a very high tendency that the whole story of the film will be misplaced and this would affect the subtext stories used in the film production. The present essay therefore looks at how makers of the two films King Kong (1933) and Scarface (1932) used the elements of story structure, editing and cinematography to bring out the subtext of their films clearly. Story structure of the two films The story structure of King Kong (1933) is set around the theme of love. Indeed, in the plot of the film, the producer is careful in presenting the theme of love in a clear cut manner without ambiguity right from the start of the film. One of the major strengths in the film’s story structure would perhaps have to do with the fact that the film depicts the theme of love from several angels including love affair that was not built between two human beings. This is because at the beginning of the story structure, there is an indication of love for a person’s job when Carl Denham decided to look for a female actress by himself after Charles Weston refused to do so. The eagerness with which Carl set off in the search gave a strong undertone of a story of love for his work. Consequently, there is another story of love told between Ann and Driscoll, who until meeting Ann had said that a woman had no place on his ship. Indeed, Driscoll would throw his personality of toughness away to embrace love. As if this was enough on the subject of love, the gigantic beast known as Kong is introduced into the movie, only to come and also fall in love with the beautiful Ann. Indeed, this was a mighty beast, which had the power of destroying the whole world at a go. But the only thing that would make it calm was the love of a beautiful woman. Without any doubt, the subtext in King Kong is the power of love in suppressing human personality. The story structure in the film Scarface (1932), was quite different from that of King Kong. This could greatly be blamed to the story line and the theme selected by the writer. Unlike King Kong, which had a central theme of love, the central theme in Scarface was power and authority. This was contrasting only in terms of how it was presented in the story structure. This is because King Kong also had a theme of power and authority vested in the character and personality of the Kong. However, this was not made to be the major running theme in the story structure of King Kong. Yet again, there was a theme of love in Scarface when Tony’s sister Cesca married Guino, who was Tony’s friend. Indeed, the writer had an option of making that love relationship a central theme in the story structure but that was left to the power and authority struggle that Tony and Lovo was going through. It was not for nothing that in the plot, the marriage ceremony between Cesca and Guino was made to be a secret one (Sanghi, 2007). In all this, the writer made the topic of love to the subtext of Scarface because at a time when Tony had deeply offended his sister and ...Download file to see next pagesRead More
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