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Quentin Tarantino and his Movies - Speech or Presentation Example

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Course Date Quentin Tarantino and his Movies Quentin Tarantino started as a video store clerk before he rose to be one of the most celebrated film-maker in Hollywood after his hit film Reservoir Dogs in 1992. His films are known for its violence, wit, sexuality and humor rolled into one…
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Quentin Tarantino and his Movies
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"Quentin Tarantino and his Movies"

Download file to see previous pages In Kill Bill Volume l, a shot with the Bride was seen looking at her captive Sofie inside the trunk. In Jackie Brown, a trunk shot was made when Jackie hides her money inside her blue jacket. In Pulp Fiction, the characters Jules Winfield and Vincent Vega had a shot looking into the contents of the trunk. Tarantino also uses the God’s eye point of view shot. This shot is done with the camera on top of the actors to convey a message that someone of greater being is watching the entire events. In Kill Bill Volume 1, this shot was used when the Bride follows Sofie Fatale into the bathroom. One of the fight scene in the House of Blue Leaves was also shot in the same point of view. In Kill Bill Volume 2, the God’s point of view shot was used when the Bride was lying down in the bathroom crying, in the scene where Budd was looking at his money in the trailer, and the scene when the Bride submerges the head of Elle Driver into the toilet bowl in Budd’s trailer. The corpse point of view shot was used in the scene in Pulp Fiction when Marcellus wakes up with people hovering above him after being hit by a car. In Kill Bill Volume 1, the corpse shot was when the Deadly Vipers and Sheriff McGraw were looking at the dead Bride. In Kill Bill Volume 2, the shot was done when Budd buried the Bride alive. ...
In Volume 1, black and white shots were done in the fight scenes at the House of Blue Leaves. In Volume 2, the scenes from the wedding to the massacre after wards were done in black and white. The color returns when the main character in the movie blinked her eye. The films of Quentin Tarantino are told to be harsh, demeaning or even racial in its language and dialogue. In his movie Pulp Fiction, the black characters used the word nigger thirteen times and seven times by the white (Bernard 187). The director however argued that those who complain about his choices in dialogue and languages are mostly white liberals and not the black people (187). In addition, dance scenes are also present in Tarantino’s film to signify triumph or joyous times even if some of the scenes were graphically violent. In Pulp Fiction, Mia Wallace and Vincent Vega danced to “You Never Can Tell” at the bar, and Mia dances alone to Girl You’ll be a Woman Soon music in her house. Quentin Tarantino goes to record stores and personally picked the music in his movies (Dawson 163). Tarantino have always wanted to write a musical score but he can’t and was afraid to ask others to write a score because he might not like it (163). He uses music to build a scene and to get the desired emotional and aesthetic effect of that particular scene. In the movie Pulp Fiction, “Son of a Preacher Man” was played in the background when Vincent Vega went to the house of Mia Wallace (163). In Kill Bill Volumes 1 and 2, the song Woo Hoo can be heard in the background during bloody fight scenes amidst the screams of the characters. According to the site FilmBuff in their article on “Quentin ...Download file to see next pagesRead More
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