The movies of 60s and 70s have been appreciated more because of their film techniques and cinematography more than the actual plot. For the movie The Girl Chewing Gum released in 1976 the director John Smith have brought into picture the narrative mode in film making (Smith)…
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For the French movie Une femme est une femme released in 1961 director Godard has attempted realist music for the movie. Such new techniques have been innovations in film making. In the Smith’s film the reality of a busy street in London has been captured as a fiction. The chance technique has been found against order (Smith). Godard has used film techniques that are not usually used and contradict the basic film making techniques. Tracking shots were used for shooting the movies which also happened to be quite long (Burch, xii). The narrative lines that have been used by John Smith had wide usage in old films related to love stories or comedy. Usage of these forms of film techniques has expanded the possibilities of film making (Burch, 145). The movie techniques found for these films happens to be quite a differentiated one and can be adopted as a learning principle for the future film making. The current paper intends to make an analysis of the two films on the basis forms of film techniques and the application of chance and coherence noticed in these films.
The works of Godard were known to be obsessed with themes. Most of the success of the director lies in making narrative movies (Roud). For Smith the works have been considered as quite sharp. The movie of the movie has been elaborated by numerous relishing scenarios (Smith). The idea of their film techniques can be understood more clearly with consideration and analysis of the two mentioned movies.
Birds are directed towards flying, movement of the clock arms has been instructed. The specialty of the movie lies in the fact that the movie has not been shot as a usual documentary (“The Girl Chewing Gum”). This is a short film with duration of just eleven minutes. There is no central character in the film, rather all the ordinary people in the streets passing by has been posited as an actor. The invisible is found in conversation with all these actors and at the same time instructs them. As the film passes by the busy streets and the location changes into the country side the director ends the film on an interesting note. With the burglar alarm in the background, the director leaves for the viewers a guess work. The viewers are left to wonder whether the man wearing a trench coat spotted once in the busy streets of London is a thief. His suspicious look at a lady does convince the majority that the man is indeed a thief. As the movie proceeds the viewers gradually realize the images separation from the sound part with passing of time (Bocko). Une femme est une femme directed by Jean Luc Godard is the director’s third feature film. The story is basically about a love triangle where two men fall in love with the same woman. The movie involves the female character Angela who is a striptease star and the two male characters Emile and Alfred. Being refused to have a baby by her boyfriend Emile, Angela moves on to another guy Alfred who agrees to fulfill her desires. The whole act of moving on was done by Angela to instill jealousy within her boyfriend. Again Alfred happens to be the best friend of Emile. Emile aware about Angela’s desperation for a baby allows her to sleep with his friend Alfred (“Une femme est une femme”). It is
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