An Analytic Report on Bell Hooks Postmodern Blackness - Essay Example

An Analytic Report on Bell Hooks’ “Postmodern Blackness”

Bell Hooks is the black female postmodernist movement author that has chosen to write her name in the lowercase letters without capitalization. Presupposed, this choice she has made as to the sign of agreement and consolidation, as part of the solidarity movement in defense of rights of black people worldwide. By now, Bell Hooks has written many encouraging philosophical essays and literary works in support of his intention to contribute to the higher rate of understanding of the events of postmodernism as part of the black discourse. Bell Hooks supports the viewpoint that black experience supports postmodernism, so the author is convinced that we should get more focus to support the problems that black nations face in the range of their cultural development on the rise of their paradigmatic comprehensive ideas. Throughout her entire life, Bell Hooks spoke in support of the rise of postmodern culture in the circles of black people in communities worldwide. This movement in support of the ideal, the author expressed in her essay “Postmodern Blackness.”

“Postmodern Blackness” is the philosophical identity movement essay written by the author in support of the conception of blackness in relevance to the postmodernism in the culture of black people. As a convinced postmodernist writer, she supported the selected discourse in terms of its correspondence to the analogs in the white social communities the culture of which was separated from that of the black people for many centuries. In support of her position of the relevance of the cultural values of postmodernism, the author develops a strong argumentation trying to reconsider and re-establish the cultural values of the black identity and gender issues. As the postmodernist movement was typical for black people, as it is exhibited in many black communities, the writer has been trying to convince readers to value the treasures of postmodernism and relate them towards the current discourse where the role of gender and race is essential to take the progressive step towards understanding the problems of black people. This is what Bell Hooks tries to prove with identity arguments – we should relate the postmodern discourse setting the priorities of its successful consolidation and social solidarity between members of our society. This is a promising solution that the author has been trying to reconsider and reconstitute within the mild barriers of social inclusion of black people in the society of postmodernism.

In an analytic report on Bell Hooks’ “Postmodern Blackness,” effectively, the idea of equality and black nation within the postmodernist discourse is what Bell Hooks focused on in her essay “Postmodern Blackness.” This literary work is written in the genre of publicists that is typical for essay authors that would like to express their honest opinion on life issues and personal experiences. For instance, the author would like to emphasize that the concept of “postmodern blackness” complies with the socialization and effective adaptation of black people to the existing social norms and behavioral patterns. They use the current black discourse to subordinate the role of culture in their self-growth and personal development.

The writer illustrates her viewpoint on the postmodernist black movement in her essay based on examples from personal life. Once, she had some luck to meet white intelligent people at the parties. They all spoke on the issues of either black people culture relates to postmodernism, or it is simpler and lacks that deep background. Bell Hooks argued that postmodern blackness is the valid concept that applies to the versatile experiences that black nation faces in their world full of stereotypes. For our society, the concept of blackness is highly overestimated, and many whites rejected this definition and suggestion created by the author although she had arguments in favor of the reasonability of her lifelong experiences while communicating with the black nations on frequent occasions. It came to be valid and reliable background to formulate even more overwhelming opinion on the background that black people are enough educated and skillful, they have many talents to concentrate on the values and images of their culture in terms of postmodern. Essentially, Bell Hooks tried to convince intelligent persons at the party that blacks may be valuable partners to cooperate with, keeping in mind that they take part in the growth of the black movement community.

To support her viewpoint on the position of the question of the postmodern blackness in contemporary white culture, bell hooks illustrates her argument with the sound bibliography to give voice to her assumptions through the perception of the problem expressed by the other writers and researchers including Meaghan Morris and Cornel West. These black writers highlight the problem of the presence of the black community within the global scales’ contribution to the common ethical and cultural values. Evidently, Bell Hooks presents just the discourse of the blackness through the lens of contemporary white development. Some triggers are presented both internally and externally within the subjected coordination of efforts of blacks to win the benefits in the world of whites. Some of the authors whose opinions are presented by Bell Hooks, radically oppose the statement that there is no postmodern in the communities of blacks because it is culturally attributed and evident that blackness has the high role in the modern social connections between black and whites that have been trying to prove and express their identity. Valuably, the author is focused on the emphasis that blacks are more encouraged by the attempt to exhibit their racial and gender identity through the discourse in which postmodernist intentions place the huge role apart from the barriers and boundaries to their successful contribution to the values suggested by the postmodern.

In response to the current postmodernist movement critique that is common in the US, Bell Hooks has been trying to re-evaluate the attitude of society to the concept of the “postmodern blackness.” In her opinion, in terms of identity, this concept has to be re-shaped and re-assessed. Confidently, the writer tries to make another glimpse of reality highlighting the problem of the relationship between a black person and his or her white counterparts. The author suggests that the problem of the interplay of postmodernist values and ethical considerations should be re-assessed through the suggestion of some special behavioral patterns where blacks should have the right to express not only their gender identity but also their intelligence as part of the postmodernist critique. Through the lens created by Bell Hooks, it is possible to see the difference between the world of whites and black that is rationalized in the performance of the benefits offered by the context and cultural impact. Undoubtedly, there is nothing more in the black world that is a must to understand the thriving of black to express the best out of their cultural postmodernist experience.

Bell Hooks is aware that the conception of the “postmodern blackness” opens the widest horizons to understand the past and present of social evaluation of norms and standards of the framework that black nations should fit to win the benefits of socialization. All the identity and race issues should be focused on norms that Bell Hooks suggests understanding through the imagery and scenery of the popular culture. The opinions of researchers may vary, although some authors may deteriorate the experience of black representatives chasing away the suppression and stepping back from the cultural variations. For example, the popular Coolio’s song “Gangster’s Paradise” displays the overall interplay of education and street life, when emphasizing the role of a “gangster” that is educated enough, but for what? He is just an “educated fool” with “money on his mind”, so his worldview is limited, setting him “out of luck”.

In contrast, his young teacher who is a successful white is a popular image of a “sheep” full of dreams that will never or can hardly come true. Still, she has been trying to convince his black student to come out of the “gangster” road, getting a response that “normal life is out of the luck”. For Bell Hooks, this image and scenery could have been a predominant valuable hint that black society does not cope with the high expectations of tutors that expect the best career path for the students, far from the radical road to success.

Besides, Bell Hooks, in her essay “Postmodern Blackness,” focused on the chance of black women to express their identity and succeed in the world of men. However, there is almost no option to come apart from the belief that black women stand far from success in their career ladder. Most of them are that much far from recognition and social appraisal that they lack the confidence to be smart and clear from prejudices. And it happens even more often than the conception of the “black femininity” is nothing more than the attempt to drive forward the more rationalized solutions for women in practice. Bell Hooks has another solution to this problem – keep forward the postmodernist perspective as the balance between the world of white and black, femininity, and masculinity. Optionally, if our society is ready for changes in perception of blacks and whites, they should coordinate efforts around their perception of men and women, both of the white and black origin. This is one of the expectations and hopes suggested by Bell Hooks in terms of how she writes from a personal viewpoint.

The essay “Postmodern Blackness” by Hooks is the valuable literary sample that gains the successful appraisal for the highlighting of the problems that black social groups may face within the frameworks of the postmodern society. The work is controversial, although it presents the unprecedented solutions and examples that contemporary critics may take into account considering the notion of the “postmodern blackness” regarding it from the positions of time and space where we live in. Presently, the conception suggested by Hooks is radically different from those developed by the other popular essay writers of modernity. Meanwhile, she is the author of modernity that appeals to postmodern experiences to highlight the role of blackness within the critical lens of our society. The author does not expect appraisal by critics and journalists, and her essay is just the hallmark of the importance of the problem of “blackness” in terms of its significance in contemporary settings. She is the author that praises diversity and deliberation from stereotypes and prejudices, and that is why her essay is worth reading for college students because it calls out the new paradigm of understanding the way how blacks settle life on their path to recognition, especially if they are women.