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Elements of the Cat People Film by Jacques Tourneur - Essay Example

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"Elements of the Cat People Film by Jacques Tourneur" paper analizes "The Cat People" movie which focuses on generic conflict resolution. The movie revolves around how to resolve any conflict. The movie revolves around the effects of each act chosen during the conflict resolution activity. …
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Elements of the Cat People Film by Jacques Tourneur
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Cat People 22 May The Cat People movie focuses on generic conflict resolution. The movie revolves on how to resolve any conflict. The movie revolves on the effects of each act chosen during the conflict resolution activity. The elements of the film indicate that the film can be categorised generically. Elements of the Cat People Film Setting The setting of the Cat People film can be generically categorized as a busy generic city life. The generic setting occurs within two lover’s world (Manchel, 1990). The two lovers are the Cat Woman, Irena, and Oliver Reed, Irena’s husband. The scene starts with a zoo scene and ends with Irena’s death within the zoo. The generic setting focuses on the historical discussion of cat people. Irena fears that sexual arousal will turn her into a leopard. Irena’s fears are confirmed when she turns into a leopard after her psychologist, Dr. Louis Judd, kisses her. The setting includes the usual wrong movie scene diagnosis by psychologists. The setting includes generic sad endings (death of Irena). Atmosphere (Mood) The atmosphere or mood of the play is generic fear. Irena fears that she may turn into a leopard after being sexually aroused. Her rival, Alice Moore, fears that Irena will kill her in a fit of jealousy. Oliver fears Irena may kill both Oliver and Alice because they had betrayed Irena’s trust. One scene shows Alice running fast as she tries to escape someone or something following close behind. Another scene shows Alice shouting for help as she hears a leopard roar during one of her swimming activities (Manchel, 1990). Cinematography In terms of generic cinematography, the camera is perfectly located. Perfect location ensures the black and white picture comes out very vividly and continuously throughout the year. The characters perfectly move from one scene to another in effortless manner. The cameras continually zoom in to show the facial expressions of the actors and actresses. The entire film is done in black and white colour (Manchel, 1990). Further, the lighting is magnificently done. The lighting enhances the story. The lighting vividly shows the facial expressions of the actors and actresses. The people have a better view of the surrounding movie scenes. The lighting increases the fear theme of the movie (Manchel, 1990). The color of the film is shown to have only generic two colors. One color is black. The other color is white. The two colors reduce the beauty of the film. Films with different colours are more pleasing to the eyes compared to black and white movies. The black and white film does not show the vibrant colours of the characters’ clothes, shoes, bags, and other personal belongings (Manchel, 1990). The generic focus of the film is Irena’s cat background. Irena is shown as a person who fears her cat background may arise during any love scene. Oliver does not believe that Irena will turn into a leopard. The psychologist does not believe that Irena will turn into a leopard (Manchel, 1990). Lighting The lighting shows how life occurs in the generic real world. The director is a realist. The director shows how the people will react when they see a leopard. The lighting shows how a normal day will look like. Similarly, the director’s preferred movie scenes indicate that men are often adulterous. The same lighting process enhances the realistic scene where Oliver decides to divorce Irena because she refuses the love sensual overtures of Oliver. Many of the love scenes vividly espouse Oliver’s feeling that Alice is a better lover compared to Irena (Manchel, 1990). The lighting increases the generic romantic scenes. Whenever Oliver makes sensual advances on his wife, Irena, Irena would always refuse to reciprocate Oliver’s love acts in order to prevent Oliver’s death. Dr. Louis Judd makes sexual advances on Irena and pays dearly with his life. After being kissed by Dr. Judd, the lighting enhances the scenes where Irena turns into a leopard. Consequently, Irena kills Dr. Judd (Manchel, 1990). Décor /Lighting The décor shows how the several generic artistic scenes. The homes are depicted as strong and have large room spaces. The zoo decors include a live leopard. The restaurant décor makes the love talk between Alice and Oliver very romantic. The same decors help the average person strive to do one’s best within the organization (Manchel, 1990). Movie Pace The pace of the movie is generically fast. The movie immediately starts with the fierce leopard showing his deadly form. The movie’s pace moves quickly as Oliver starts dating Alice. Irena stalks Alice in a fit of jealousy. The movie’s sad story includes the untimely death of Irena. Irena decides to cut her own earthly life short through suicide. The pace of the movie starts to increase in speed when Oliver decides to marry Alice (Manchel, 1990). Movie Suspense The movie is full of generic suspense. The movie audiences are kept on the edge of their seats. The movie audiences eagerly wait for the time when Irena will turn into a leopard. When she does turn into a leopard, the move audiences affirm Irena’s fear that she will indeed turn into a leopard if she is romantically aroused. The suspense ends when the movie audiences see Irena commit suicide. She commits suicide by letting the leopard kill her. The suspense is increased when the people are forced to search for Dr. Judd’s killer, Irena (Manchel, 1990). Sound The movie sound is generically realistic. The audiences can hear Irena’s jealous conversation with Oliver. Irena makes Oliver know that she knows Alice is having an affair with Irena’s husband, Oliver. The sound also shows a car sound when Alice is swimming in her apartment swimming pool. The sound of Irena shouting while swimming vividly shows to the movie audiences that Alice fears for her life. Alice fears that Irena, a leopard, will kill and avenge Alice for stealing Irena’s husband (Manchel, 1990). Further, the generic movie sound shows the expressions on the characters’ faces. The sounds show how Oliver fears that Irena, a leopard, will kill Alice. The sound of the leopard’s roar creates fear in Irena’s face as she opens the zoo leopard’s door. The sound of Dr. Judd’s voice as he tries to prevent leopard Irena from killing Dr. Judd creates diverse reactions from the customers (Manchel, 1990). Music The music is rarely shown in the movie. The generic movie does not include a musical production. Consequently, the actors and actresses do not sing their lines. The movie is not an opera. An opera is characterized by individuals who actors and actresses singing their favorite songs (Manchel, 1990). Character The characters show normal people’s generic reactions. The reactions include Oliver’s desire to bear a child. Similarly, Irena is shown as trying her best to prevent Oliver’s death by not engaging in any sexual activity with Oliver. Alice is shown a normal woman who falls in love with disheartened Oliver (Manchel, 1990). Acting The actors show generic professionalism in their work. Oliver is shown as seriously in love with Alice. Similarly, Alice is shown as one who can depict how a normal woman acts when in love. Irena depicts the wife who will do anything to keep the family from disintegrating into divorce (Manchel, 1990). Plot The plot in the move is grounded on generic love. Oliver seeks another woman, Alice, because Irena refuses to fill Oliver’s need to make love with Alice. The story starts with a leopard scene and ends with a leopard scene. The story starts with a happily married Oliver and ends with a troubled wife (Manchel, 1990). Narrative Structure The narrative generic structure is straightforward. The movie revolves around the issue of Irena’s turning into a leopard. When Irena is mad, she speaks in a mean loud voice. When Oliver persuades Irena to consummate their love for one another, Oliver speaks in straightforward manner. The story includes the conflict between love and money (Manchel, 1990). The other movie aspects are vividly shown. The characters do their best to resolve any possible conflict that arises. The movie characters give their best in order to entertain the movie audiences. Irena perfectly plays the villain role in the movie (Manchel, 1990). Genre The movie shows a different generic genre. The genre is love in a dangerous environment. Irena tries to escape from her leopard reality in order to prevent Oliver’s death. Alice is madly in love with Oliver. Oliver love for Irena had waned. Consequently, Oliver’s love for Alice grows. The movie shows that love can move mountains. Irena decides to commit suicide in order to keep Oliver alive. Consequently, Irena decides to give up Oliver because of her deep love for Oliver. Consequently, Alice takes the spoils of Irena’s cat people conflict. Alice grabs Oliver from under the arms of Irena. Truly, love can move mountains (Manchel, 1990). Themes The generic themes include conflict resolution. Irena must kill in order to return to her human form. Irena cannot make love because she will turn into a leopard. The conflict resolution ends with Irena deciding to commit suicide in order to stop the leopard (were-cat) issue (Manchel, 1990). Conclusion Summarising the above research discussion, the generic Cat People movie centres on favorable resolving conflicts. The movie offers favorable generic conflict reduction activities. The movie delves on the effects of each act chosen during the generic conflict resolution activity. Without a doubt, the elements of the film indicate that the film should be categorised generically. References: Jacques Tourneur, 1942 Cat People Manchel, F., 1990, Film Study, University Press, London. Read More
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