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Culture and Philosophy: Aesthetics - the Beautiful and the Sublime - Literature review Example

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The aim of the present literature review is to critically discuss the terms of the beautiful and the sublime and its role in regard to a wider concept of aesthetics. Moreover, the writer shall investigate the importance of these categories in arts and culture…
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Culture and Philosophy: Aesthetics - the Beautiful and the Sublime
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Download file to see previous pages Artists communicate through their works or pieces of art. These include literature, poetry, music, film/cinema, carvings, and drawings. Aesthetics, therefore, explain to us what the artist desired the recipient of that piece of art to think, feel, experience or conclude (Roald and White 176-189)
There are various categories of aesthetics, all of which have different effects and outcomes. For instance, we have the beautiful, the sublime and the ugly or horrible. In this paper, however, it is beautiful and the sublime that will be discussed in detail. The best way to kick off the discussion is by looking at the simple definitions given to the terms “beautiful” and “sublime” by the dictionary. The term beautiful is associated with something or a situation that is pleasing or appealing, while sublime is associated with a sense of awe. This is specifically according to the Oxford English Dictionary. Both definitions are agreeable, however, philosophical scholars and academicians have widened the definitions of the two terms, in order for them to fit well in the world of art, culture, and philosophy.
In relation to art and culture, “the beautiful” refers to pure pleasure, while “the sublime” is associated with pain or impure pleasure. It is therefore clear that the beautiful is associated with objects, situations or experiences from which human beings naturally and automatically derives a good feeling. On the other hand, the sublime describes situations, objects or experiences that leave human beings with a good feeling, yes, but one mixed astonishment. At times, these situations or experiences may leave someone with absolute fear or terror (Edmund 99-119). To better understand this, it is prudent to delve into the major components of these two categories of aesthetics, and how they are distinguished from each other.    ...Download file to see next pagesRead More
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This is where aesthetics sets in as a form of science. As John Keats most famously said “Beauty is truth, truth beauty, - that is all Ye know on earth, and all you need to know” 1 Aesthetics is not an exact science. The term emerged in Eighteenth Century to describe a number of various things and contemplates various theories that pertain to the conception of judgment in terms of artworks and all other objects it encompasses. It is a value and an experience concurrently or simultaneously. In the process, aesthetics is often regarded coinciding with the concept of taste. During the early years of aesthetics, beauty is something instantaneously judge for. This is best perceived in the rationalization of beauty that we experience re...
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