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Felix began his role as a choreographer by convincing Florenz Ziegler who was the producer of Whoopee! that they needed to incorporate dances which would contribute to the overall outcome and outlook if the creation. Seymour Felix went ahead to device and develop dances which unfolded consistently with the plot of the creation (Kislan, 2005). The devised dances came out as if they were dramatic units themselves instead of just being mere body movements. The impact was very well received and it opened a new way for the dance specialists to play a key role in musical creations. The first choreographers played a big role in integrating dance into unified visual effects. However, their work was more appreciated in commercial dancing than in musical theater. An example of a successful integration process done by the first choreographers was in Pal Joey (Kislan, 2007). In this creation, the dancing enhanced the overall environment and also projected the characters without reducing the entertainment values which were prized in the shows then. During that time, flashy values were highly regarded and the mere fact that the choreographer was able to project the characters and unify the movements of the dances with the plot ensured that the piece was widely accepted and appreciated. With the importance of dances in the character development and the advancement of the plot being recognized, more and more famous directors/choreographers started to emerge. Bob Fosse, Jerome Robbins and Gower Champions are just some of the
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