We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Nobody downloaded yet

History of German Films and Cinema - Essay Example

Comments (0)
Summary
One of the main connoisseurs of new German cinema from the late 60's to the early 80's was German film director, screenwriter and actor was Rainer Werner Fassbinder. In his short career he made over 40 films, acted in a few and also played the role of a cinematographer and producer…
Download full paper
GRAB THE BEST PAPER
History of German Films and Cinema
Read TextPreview

Extract of sample
History of German Films and Cinema

Download file to see previous pages... Fassbinder's success in German theatre allowed him leverage when it came to ascending the rungs in mainstream cinema which he considered in greater esteem than theatre. But the German bourgeois always valued the older German theatre more highly than the younger cinema (Barnett p.137). He continued to make an impression in German theatre, and this improved his chances of being recognised and accepted in popular cinema which he did with films on a diverse range of prevalent issues.
One such film that explored the issue of individuals resisting traditionalism was Ali: Fear Eats the Soul. A storm outside forces a middle-aged cleaning lady named Emmi into a local German bar. The place is filled with Arabic regulars who gaze at her entrance. This bar is one of the select few public spots where foreigners are openly received. It's owner fills the jukeboxes with Arabic music but when Emmi enters, she is no longer a welcome visitor but is looked on as a stranger. The owner prods a former lover, a Moroccan man named Ali, to engage Emmi in a dance. Soon after, they become close companions, sharing common internal conflicts and emotions, along with feelings of loneliness and isolation. As their union develops, they find that society turns harsher towards them more so now than when they were isolated individuals. Emmi's neighbours chitchat continuously about her companion who is living with her and this provokes the landlord to question their living arrangements. Ali faces further embarrassment when a local grocer refuses to serve him until he improves his German. When Emmi meets her family and divulges her relationship with the Moroccan, she is met with cynicism and ridicule. The quarrel finally ends up with her TV set being destroyed. Later after Emmi's co-worker visits her at her apartment and finds Ali there, the following day she is spurned by her cleaning squad. She is then left to wallow in her predicament.
In this film, Fassbinder explores the experiences of people who do not conform to society's norms. His cinematography uses space and framing of the nonconforming individual to mirror his or her isolation and seclusion from the rest of society. When Emmi and Ali dance on the floor, a long shot of them amplifies their isolation. The confined kitchen also highlights the suffocation she feels about her life. At a bistro, the vacant surrounding tables overstated by the staff's distance from the present visitors also reflects her isolation. Fassbinder, referring to use social commentary rather than melodrama, produces a narrative that reveals the depth of exclusion that the two protagonists are faced with. He shows that although they learn to deal with unwelcome pubic scrutiny, the pressures of society continually eats the soul of both Emmi and Ali. This fractures their delicate relationship and the question begs, will the two survive their union. There are no simple answers in the real world.

In his 1979 film, The Marriage of Maria Braun, Fassbinder crafts a darkly comic and contemptuous portrayal of the revitalization program undertaken by Germany. The story is of Maria Braun whose wedding happened as a result of a swift two week courtship and a hastily conducted marriage ceremony during the last period of the second world war when ...Download file to see next pagesRead More
Comments (0)
Click to create a comment or rate a document
CHECK THESE SAMPLES - THEY ALSO FIT YOUR TOPIC
Kurdish People in New Turkish Cinema
They are an Iranian people from Middle East; they speak Kurdish language and are found in the western part of Turkey. They have a history of moving, and this is depicted in their in the plight of getting identification. The movies technique is unique in sound and the actors used.
4 Pages(1000 words)Essay
German Cinema
However, during this time, it had not gained much prominence in the country and only few actors participated in it. Early experiments in German cinema by people like Ottomar Anschutz, John Isaacs, and Eadweard Mybridge sparked an early and great interest in the cinema potential in Germany. Invention of Bioscope, a double projector system, by Max Skladanowsky and his public presentation of pictures in Berlin Wintergarten in November 1, 1895 showed how great the potential of cinema was in Germany (Cook 207).
3 Pages(750 words)Essay
The Third Cinema
"Third Cinema” is not an isolated movement. It should be considered as a part of the new Latin America cinema movements, which in turn was a part of the new cinema movements world over. It was a reaction against making films the objects of commerce than art. It was a reaction to big commercial internationalism influencing the national cinemas.
8 Pages(2000 words)Essay
Leadership of the Sexes
With such variations in emotional and psychological set up, leading and managing by males and females vary. It would then be imperative for managers from both sexes to learn, acquire and strengthen the skills and behavior
2 Pages(500 words)Essay
European Cinema
The result of this was that there were different movements that defined what it was to move against the popularity of the international film. The branch of movies that pan – European films made
8 Pages(2000 words)Essay
2)In what ways can French New Wave cinema be considered a product of its particular moment institutionally, technologically and culturally Your answer should make close reference to ONE or TWO films
Even through the Second World War, French Cinema exhibited a number of films and continued in its prolific nature. However, the end of the Second World War gave rise to differing movements in French cinema including the French New Wave cinema.
6 Pages(1500 words)Essay
New German Cinema
In the first place, all the directors were born around the time of the World War II, brought up in a divided Germany, and can, therefore, be characterized as a generation. Secondly, due to funding criteria and chances, a new cinema was focused on an
3 Pages(750 words)Essay
German Civilization(New German Cinema)
The era in film making that had its beginning in 1962 and lasted at least until early 1980s came to be regarded as National Cinema. It will be interesting to explore why this era of the New German Cinema came to be known
3 Pages(750 words)Essay
Approaches to Cinema - German Expressionism
The researcher of this essay aims to explore movies, that represent German expressionism. It is beyond any doubt that art plays a considerably important role in the social environment. The earliest evidence of such activity can be traced back almost to the very dawn of the society. it may be particularly important to engage Metropolis.
5 Pages(1250 words)Essay
The Weimar Cinema
As the discussion stresses the development of the film industry in Germany as practiced in the modern day has been significantly influenced by the developments introduced by the Weimar cinema. The film industry in Germany stands on a strong foundation that was laid down during the period of the Weimar cinema.
8 Pages(2000 words)Essay
Let us find you another Essay on topic History of German Films and Cinema for FREE!
Contact us:
+16312120006
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us