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Realism involves in the play, “A Streetcar Named Desire” in myriad layers. Magic realism, naturalism, and psychological realism are very pertinent throughout the play. In scene 1 and scene 2, realism is evoked mostly through the setting of the play. With some odd fantasy incorporated into the plot of the play at its very outset, evokes naturalism. Also, the presentation of the characters plunges the audience into the realm of social realism. A clear conflict between the transition of urbanized America and the heritage of the Old South represented through the heritage streetcar and the character of Blanche are examples of naturalism to its optimum extent. Blanche’s slow descent into madness and the exquisite use of the stage at the outset of the play to mirror the mind of Blanche on stage is a superb example of naturalism.
The play, “A Streetcar Named Desire” is overcast with naturalism. The beginning scenes of the play actually become instrumental in preparing the minds of the audiences very subtly to befall into realism to its greatest heights on stage
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