Marcia's Identity Statuses - Movie Review Example

What is Neil Perry’s status? Please use examples from the movie to support your answer. In thefilm, Neil Perry exhibits a strong character who occurs passionately bold to pursue his romantic inclinations especially as he portrays being Puck in the school’s dramatic play. It essentially matters how he may be able to live up to the inspiring principle of ‘carpe diem’ which Mr. Keating introduces in association to the dead poets and his own poetic stance. The professor’s influence over Neil drives the latter to exude much of his confidence and hope into a self-proclaimed world filled with idealistic endeavors as triggered by the desire of being able to contribute a verse.

At such status, audience may likely assess that his significant attribute develops from growing aspirations for which he gets determined to challenge the utmost of his potentials as embodied in ‘to live deep and suck out all the marrow of life’ by Thoreau which Neil himself read at the opening of a club patterned after the Dead Poets Society. While it is stimulating to watch Neil unfold a position that seeks wild truth of itself, the conflict raised by his father’s interference on getting him to abide by the conventions which Mr.

Perry believes would suit his son eventually manifests Neil’s weakness of confronting the reality. Indeed, he gave his father a brief capture of his opposing decision during the play yet he appears to not have gotten out of the momentary soliloquy and chooses to escape beyond the world of the living, thinking that only by giving in to this tragedy would he come to attain peace with the utter well-being of his passion. What is Todd Anderson's status? Please use examples from the movie to support your answer.

Todd Anderson is a type who at first seems afraid of breaking into a dimension Mr. Keating rather describes as possessing elements that make human beings alive. Though Todd can obviously be figured to have inadequate esteem to pull off from his capacities yet to be realized, he gradually manages this crisis by keeping the struggle, acknowledging the real situation of his real frailty with which to balance his increasing understanding of poetry and its essence to his personal growth through self-empowerment.

In the process, he overcomes his inhibitions and the confining fear of any possible infliction of consequences and bold certainties. Gaining mastery of himself in the end, unlike Neil, Todd becomes capable of characterizing Walden’s ‘to live deliberately’, exactly following Mr. Keating in acquiring the right heart and literary elements in pursuit of delectably excruciating life aside from noble aims. Not like Neil Perry in the movie Todd Anderson, despite difficulty, does not allow his love of self and passion dwell at the center of his priorities but carries on along the spontaneous course of dealing with his conflict under realistic approach.