A Concert Report Order No. 604432 Introduction I had attended “Handel’s Water Music” at the Walt Disney concert hall in Los Angeles on 19th November, 2011. The show which was at 2.00pm had attracted quite a good gathering and was as usual right on time…
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The program pieces included Handel: Concerto Grosso in G, Op. 6 No. 1, Handel: Water Music Suite No. 3 in G, Handel: Water Music Suite No. 1 in F and you you. There was a lot of excitement and high expectations as the audience settled in their seats before the curtain rose. The conductor, the performers and the orchestra were formally introduced and welcomed with a huge applause from the audience before the show began. The pieces played at the concert are discussed below. Handel: Concerto Grosso in G The piece made a bright opening with a happy and sprightly tune in the form of a waltz. The piece was a sort one which lasted for about 2 and a half minutes and the rhythm was up tempo. When the rhythm slowed down in places the music was soft and when it became fast, the volume increased and this added some variety to the piece. The instrumentation and harmony was good and pleasant to the ears. Handel: Water Music Suite No. 3 in G This piece was quite lengthy and continued for 5mins. And 38 secs. It comprised of three distinct parts which added to the variety of the piece. The first part was medium paced with the whole orchestra playing in unison. As the piece drifts to the second part it has the instruments alternating in prominence while the orchestra lent a good backing for them. The third movement was a loud and sprightly piece with good harmony which was interlinked with soft playing in between to give unity to the piece. Handel: Water Music Suite No. 1 in F This sprightly piece was about three minutes long and in the format of a lively dance rhythm which was simple but very attractive. The instruments played alternated in a sort of question and answer presentation with nice melody and harmony which was not only interesting but also captivating. The entire piece was well integrated and had a strong unity despite the variety of instruments offered. Even though the rhythm had a good dance appeal, the volume of the sound was pleasant and toned down. Towards the end of the piece, the last ten seconds of music had slow paced rhythm before coming to an end. Handel: Il delirio amoroso In the last piece the orchestra joins the Soprano Sonya Yoncheva and serves as a perfect foil while it provides a strong backing for the soprano vocals. The piece which had a length of about 5 and a half minute, had a lively rhythm interspersed with instrumental interludes between the singing of the soprano. The dynamics exhibited by the soprano is quite praiseworthy as it was effortlessly executed, showing her mastery over the subject. Though the piece was well integrated and had a good melody and harmony, yet I felt that it did not have a uniform form as it comprised of both fast and slow paced rhythms and alternated between soft and loud volumes. At about 3 and a half minutes of the piece there is a lengthy instrumental piece, similar to the one played at the beginning of the piece and once again the soprano takes over till the piece comes to a close. Conclusion I would describe myself as an avid listener and I enjoyed the concert comprising of Handel’s pieces, which proved to be quite interesting as it was inspiring. The pieces chosen to be played had good variety and were very well performed by the soprano as well as the orchestra and this was what attracted the audience, even me, to not just only be a spectator but enjoy the concert wholeheartedly. The level of performance of the conductor Emmanuelle Haim, the soprano and the entire orchestra was of a very high standard
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The hall was already full when I arrived, which was what I expected least. At the start of the live concert, the New Horizon Brass Ensemble headed by Kate was seated on the podium; women wore black dresses or pants, and males in the band wore tuxedos. Kate, who was the band leader and concertmaster, came out to coach the band, while the conductor entered the hall to make a brief introduction of the performance that was almost to be staged (Range & Smith, 1999).
The concert by ‘The Stony Brook Symphony Orchestra’ took place at 8.PM sharp on Saturday, 9th March, 2013. The Concert Conductor was George Manahan . The program comprised of ‘Scherzo a la Russe’ (1945) by Igor Stravinsky (1882 -1971) a ‘Viola Concerto,’ Op.37 (1979) by Miklos Rozsa (1907 – 1995) and the Concerto Competition Winner for 2011 – 2012 – Chieh – Fan Yiu, Viola that took place before the intermission and this was followed by ‘Enigma’ Op, 36 (1899) by Edward Elgar (1892 – 1955) comprising of ‘Variations of an Original Theme for Orchestra.’
res in the music industry, as well as, lecturers in music at well renowned colleges, the concert was the talk of the week well ahead of its actual dates, and I just could not wait for it. No advance tickets were availed, and all the attendants had to obtain them at the entrance.
This paper presents a brief analysis of the song Milonga de angel along with a review of the concert as a whole.
The milonga precedes the tango music style. Most of the milongas are fast. They are conventionally lent a solid rhythmic character by
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The first two compositions affected me in absolutely different ways taking me to emotional stages which are not the same due to my personal circumstances. The third composition was a culmination of the concert which made me close the eyes and stay till the audience had left. The most intimate moment was when the last notes were in your heart.
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
ming soar but since she participated and won the second place in the Chinese reality singing competition I AM A SINGER by Gloria Tang Tsz-kei, we were still surprised that her debut and rhythmic concert still sold out very quickly, she had to add a second and third show to
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