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Chapter 5 Summary Chapter 5 Summary This chapter starts by focusing on the link between the Art and the Music of Baroque period of 1600s to 1750s (Wright, 2015). The chapter starts that similar to the huge architecture of the buildings of Baroque, the music was even played on the grand scale and that is why there used to be at times 80 players within the orchestra (Wright, 2015). There is even a similarity between the paintings of the period and the music. The paints were quite dramatic and so was the music at that time.
The chapter even focuses on the various distinguishing characteristics of the Baroque music and these characteristics can quite clearly be witnessed in the cantata developed by Barbara Strozzi (Wright, 2015). The features of their music included highly expressive melody which was supported with the aid of harmony by using repeated bass. The chapter even highlights the important characteristics associated with the opera of Baroque through the Purcell’s Dido and Aeneas. Their opera used to be highly passionate as well as dramatic and full of tunes and was well supported by a strong bass provided by the entire team of orchestra.
The chapter even highlights the difference between the three forms of music that was experienced during the middle ages associated with Baroque music (Wright, 2015). These three forms of music were regarded as the trumpet, canon and the ritornello that was performed in different concerts held during the Baroque period. References Wright, C. (2015). The essential listening to music. Boston, MA: Cengage Learning
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