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The melody of the recital can be described by a short but fast shifting motive. The composer uses about four notes that the shift rapidly from one set to another. At the introduction and throughout the piece the energy and vigor depicted in the melody gives the recital a jovial or celebratory atmosphere and mood. The vigor and strength that is depicted in the piece can be likened to the mood of a carnival or an active musical dance. The harmony of the recital is also varied between an interval and a chord. In the introduction of the piece, the general harmony is an interval sounding at most two notes at a time. In the later stages of the piece, it shifts to a chord but turns back the harmony back to the interval. At the intervals, there is an underlying melody that supports the harmony. In the subsequent groups of chords, the melody is not very clear, and the progression is achieved in the recital. The variation between the interval and chords in the piece creates musical motion in the presentation. Musically it is expected that where the interval is supported by an underlying melody and thee audience perceives a level of stability, the harmony is referred to as consonance. However, in the case of a turbulent and unstable set of chords, the harmony is referred to as a dissonance. The texture of this presentation can be described as both thick and thin. First, the texture can be described as monophonic. The description of the texture is because the presentation is a solo recital that is not accompanied by any vocals.
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