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B Kings music had shifted in both image and sound. His performance had changed from being for a black audience to one that was appreciated by the white, Japanese, French, and Australians. B. B. King however still described the feeling of being booed by his own people…
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Download file to see previous pages as an agent of black culture was unquestioned, being rejected by the people he represented, at time when they were required to be struggling for each other, was a rejection while being in the minority (Adelt, 2010, 13). Remarkably, this is what brought his feelings of being black twice.
This photograph is one of a black man in a sea of white rock and roll fans. Although this combination of audience was one B. B. King was not accustomed to and one that he was not comfortable with, the photograph shows him greeting the fans showing that he was appreciative of the opportunities that presented themselves.
The photograph on page 25 is the B. B. King’s “Indianola Mississippi Seeds” album cover. The cover photograph was of a watermelon curved out in the shape of a guitar placed in from of an old amplifier. At a time where there were still purist in the music industry, the photograph expressed the need to remain true and the guitar gave a clear rock reference. This image is not fixed to any racial construct.
Post WW II Germans and Europe at large had a respect for jazz and blues and American artist found a growing audience. This was revealed by the shift in the racial construct of blues and what they represented, restriction. The American Folk Blues Festival brought Memphis Slim and other African American blues performance to both Germany and other European countries (Adelt, 2010, 78). This was an attempt at modernizing Germans with African American blues. This was a noble cause however, they were not fully prepared to accept an art form that had primarily been performed black to a black audience and were not yet ready to accept a primitive form of art while wanting to be modern. This complicated dialogues of racism in that in rejecting the blues, which served as an anti-racist strategy they, we in fact being ignorant and rejecting the artist that sang the music, which could be viewed as a form of prejudice or ignorance of the things that transpired among ...Download file to see next pagesRead More
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